I've been playing along with your opera by tuning all 4-strings down a whole step. I was wondering if that's what you do, or if you just detune the E and leave the rest alone, or what? Also got a chance this wknd to read The Minutemen chapter in <u>Our Band Could be Your Life</u>, which put you guys in a pretty good light. Were you happy with that book?
hi, I only tuned the e string (the fatest one) down to d. the other three are still a-d-g. the opera is mainly for d. boon, right? I was interviewed for that book by its author, michael azerrad. the title is from a line in a minutemen song I wrote called "history lesson (part II)." I've read it and am glad someone's shedding light on a period of music I feel has been pretty much ignored. I'm proud of those days and the folks I got to share them with. if someone starts their own band after they read that book then I consider it a success! on bass, watt
Nice, subtle tribute to D. with the bass tuning, mike. I hadn't even made the connection until you mentioned it. Was the guitar tuned to drop-D as well for the opera?
hi cj, nels detuned his guitar's e string to d also. I also had him do the solo to "the boilerman" w/one of d boon's teles too. on bass, watt