D'addario Orchestra Strings

Ray Drummond uses Helicore Arco Heavy gauge. I think Patitucci uses them sometimes as well. I was using the A, D, and G for a while until they started to die and I really like them. I think they work very well for Jazz pizz. That said, I haven't found anything that comes even close to the sound of Velvets. You should definitely check out the new Compas 180's. I get compliments on my tone where ever I play(I am using the Compas 360's at the moment but I have had the 180s).

 

I use D'addorio Helicore Orchestras on my ply for community orchestra & also various small ensemble stuff. For orchestra I'm mostly bowing; for the ensemble (rock/folk/klezmer/blues/jazz/ etc.) it's about 80% pizz. I just switched to Medium gauge from lights because I wanted a bit more sustain & volume, & I'm really happy with the sound. The strings have a warm tone, but not muddy- they're fairly even across the strings, & I have nice clarity for higher register solo stuff (arco). I got about 10 months of life out of the Lights playing probably 8-10 hrs/week. The problem with bass strings is that what sounds great on your buddy's bass will really suck on yours, or vice versa. & they're awful expensive to experiment But, I've been happy with the Helicores.

 

The Heavy gauge Helicores are still less tension than Spirocore Orch. I actually prefer the feel and sound of the Heavies to the light/med. They have a much stronger/clearer sound.

 

I have the D'Addario Heliocore Orchestra mediums on my Shen Sb180 hybrid and my daughter's Shen SB100 ply. She plays only orchestra, and I play about 75% orchestra 25% jazz or standards.

I find them to have (as advertised), a warm clarity of tone, even down to the E string. They are an easy string to bow, easy on the fingers, and with just enough sustain to be usable for jazz. I have been playing about 12 hours a week, including lessons, and orchestra rehearsals, for a little more than 2 years, and mine are just now sounding like they might need to be replaced. So they do last, at least with my fingers. (I play only with clean hands, and I do wipe the strings down after every session.)

I do feel that I would like a little fuller sound from the G, and a little smoother sound from the E, though, so I have been thinking about the Flexocor 92 medium strings, with the heavy E , or the Jarger heavy strings. However if I make the switch, I don't expect nearly as usable a piz sound.

 

I think that Helicore Orchestra is a good all purpose string. The pizz is a lot better than say, Flexocor (Flexocor's arco is great though) but the sustain on the E and the A isn't the greatest. Not bad though. This is the trade-off. I don't like any of the other Helicores - Hybrid, etc.

I also like the Innovation 140B for a dual-purpose string.

 

I am currently playing with Superflex 4/4 solos on my jazz bass, and when I'll be rehearsing both styles I'll just take my jazz bass because they bow pretty well. My jazz bass has a little over a 43 inch string length, so those 4/4 work well, and have a really nice light tension. maybe 3/4 solos would be good for a smaller string length. I will most likely not purchase them again however, because I want a little more meat in the pizz sound, and I'm not too concerned about bowing on that bass.

I've used the helicore orch on my orchestral bass, and while I enjoyed the sound initially I did not like the way they felt under my hands. On my bass they had high tension, and lost their clarity after about only 4 months of play. I currently am using a Permanant E...it is a very crisp sound, and has some pretty usable sustain. I think you should investigate the Perms. The flexocore g, and original flex a and d are just killer under the bow. Best of luck!

 

Superflexibles are a good choice if you're doing more pizz than arco. They will provide better pizz sustain than Helicore Orchestra. But they are darker than Spirocore and so the arco is less scratchy. An orchestra bassist probably wouldn't use Superflexible but jazz players who play a decent amount of arco often use them. John Clayton used Superflexibles for a long time but I think he switched to Obligato. Superflexibles are reasonably priced and will last a pretty long time, too.

 

Agreed. Superflexibles are really nice strings. Brighter sounding than Helicore Orch, with more sustain and a deeper tone. They don't have any dampening material inside, but are still a very dark string when they break in.

 

Thanks guys - I'm happy with supers at the moment but was about to get sting gas, talking of which, I used Pirastro Jazzers once and thought they bowed ok - it was a few years ago though.

However, on my affordable string gas list (velvets just cost too much) are Innovations which reckon the H or honey set could be used orchestrally?

 

I experimented with both the Innovation H and B sets and wound up using the G&D from B set because they had a darker arco sound and were a little more 'gut-like' for pizz which I like. But I mixed them with the E&A from the H set because the E&A from the B set were too thuddy for pizz for my taste. The E&A from the H sounded good for arco, while the D&G from that set was a little too bright for arco for me.

 

Thanks Bobby - I might try that - Francious said he liked the Innovation G on his EUB - where is Francious bythe way?

 

I used the solo-tuning braided G, at orchestra pitch.
The string quickly developed a loose core problem though.
It was on the bass only for a few days...

 

Well, to be honest, I don't like Helicores at all, orchestral or hybrids.
You want a very good orchestral string, and a warm pizz tone?
How about Flexocors?
The E could be replaced with something else though, as it's weak and flabby.
I suggest the Super-Sensitive Pinnacle E.

 

I don't think Flexocores are a good solution. They have very little sustain and a very blunt attack. They also don't have the same projection for pizz as Spirocore Weich. In a pinch flexocores will work especially for an old school sound, but I don't think you would be very happy with them. You should check out the Superflexibles. I think you would be pleasently surprised. They are thicker sounding than Weichs but with about the same sustain and volume.

 

Clearly no!
Pirastro Permanents could be another choice. It's basically an orchestral string, but with a brighter tone and better sustain.