Different EQ settings for different tunes - Big Band / Swing Band - EQ w/ Pre-sets?

I know this might not be too helpful because I don't have specific brand names but I'm sure there are more than one type of programmable EQ out there. Or any old graphic EQ pedal can be engaged to give you your alternate sound if you only need two different types of tones

 

I would tell your director that if he wants to micro-manage your tone from tune to tune, he should buy you an EQ pedal.

This one seems nice:

ParaEq

 

My Takamine B-10 has an onboard preamp allowing 20 programmable presets, so there can't be any doubt that this sort of circuitry can be made small and agile, and has some utility for some players. I use two, anyway. Maybe this will come with the next generation of you-need-this-new-thing amps and pedals.

 

Source audio programmable EQ
Also I think there is a programmable VT Bass sansamp with presets

 

Seems strange he would want different tones for different tunes. Not sure i would be able to oblige that. But i think a simple EQ pedal should do the trick to switch back and forth between settings. Or is it possible to just adjust to a darker tone with your current setup and just leave it there? Can't be too dark though as it needs to cut through the band.

 

I would go with an EQ pedal, or a Sansamp. If you really need several tones, Sansamp makes programmable units.

 

Makes sense to me that on certain tunes a more old-school sound might be desired since in the classic recordings the bass sound is usually not near as hi fi as we can get now

Any old eq pedal will do what is being asked. The Boss Bass EQ is usually easily found and cheap. If you're concerned about impedence issues you could put it in the fx loop instead of between the bass and amp.

If you're a gear/tone purest (junkie) there's a whole world of eq pedals to consider, but the Empress para eq suggestion in post 4 has saved you some research time. Supposed to be really good.

 

Sansamp or an eq pedal with presets would be the best answer I think I could come up with

 

You could try plucking higher up the fingerboard and making the notes shorter to see if that makes him happy... I'd probably start there if it was me...

 

The source audio EQ is a terrific unit at a reasonable pricepoint. The sansamp units are very popular with electric players... I don't know if you'll like what their amp modeling does to your DB's sound, though.

I would try something as simple as a passive tone control working for this. You could DIY one into a stompbox for a few bucks. Though if you do that you might need to boost signal at the amp a touch to compensate.

 

What preamp are you using because I have the Taka TB10 with the CPT3 Préamp and there is no programmables presets in it.

 

@DanL - check out the Zoom pedals - B3, MB60B and MB-100BT.

Thread discussion here....
Zoom B3 with upright!

 

I'll second this. I personally would strive for a tone that would work as a good midpoint between bright and dark for that ensemble and use technique to adjust from there for different songs. I would only deal with the artificiality of different EQ settings as a last resort in that kind of scenario.

 

Mine's labeled Acoustic DSP AD-1.

 

Bring a second bass with gut strings?
I'm joking of course but it could be that is the true origin of alternate sound the band leader is wanting.

 

Thank's Steven for your answer. I didn't knew that preamp.

 

FWIW I've found it very handy to have a couple of different pickups. (In my case that would be a Biesele magnetic pickup with a handy input and blend knob for the piezo.)
I've never had a client want a different sound for each song but it is nice to have the magnetic signal on tap. I usually go 95% piezo but when I need more punch (i.e. when I really ought to be playing electric bass because everyone else is too stinking loud) going 50/50 works great. 100% magnetic seems less defined with my rig - might make a passable lazy man's gut string substitute. Also handy as a backup for when the piezo pickup wears out.
Something to think about - I would probably go this route before messing around with EQs.

 

The source audio EQ is great for guitar, but the lowest band is 125hz. Not the best for bass control. I think you can extend it down to 65hz, but still not ideal.

The good thing about bass sansamps is that you can eliminate the amp modeling by turning the blend control to zero and just use the EQ section.
But for DB I would look at their new-ish Q-strip pedal. It's a 4 band semi-parametric EQ based on old recording console voicing with no amp modeling, plus it has a high pass filter, low pass filter and a DI. The input impedence is designed to work with unbuffered piezo signals as well.