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Discussion in 'Effects [BG]' started by JAUQO III-X, Jul 22, 2013.
I was wondering how that was on bass. Sounds great, Jauqo!
Sounds really creepy to me.
Nice playing indeed, interesting pedal !
Thanks Thom. The talker pedal really does work nice with bass and that was what really got me interested in wanting to use it with bass. A very interesting pedal and the fuzz mode can get really out there if you want it to.
Yes it is
Thank you and yes a very interesting pedal.
it seems to be a "free-floating pedal", for lack of a better way to put (my english sometimes eludes me, as well as my french).
How can this pedal stay attached to a pedal board ?
Yes it is a free floating pedal.
This is how it stays on a pedal board.
Thx. I'm always looking to have 1 pedal on my board that I have absolutely no use for, other than experimenting. At the moment, I'm rediscovering the Boss AW-3 (similar feature), but the EHX pedal could be the next one...
You're very welcome.
Great playing and an interesting sounding pedal!!!
I can get this sound using multiple pedals, but it's cool to have in in one unit as well. Especially, since it sounds good on bass. I don't know how I feel about needing a cradle to mount it to a pedalboard. If the point is to have an all in one solution, then you don't need a board anyway, though. I'll probably pick one up eventually, just for fun.
Thanks. The pedal is interesting for a lot of reasons but it's kool that you don't have to use multiple pedals to achieve the same or a similar sound.
Here's Bootsy with his Talker pedal.
Jauqo, do you have a y experience with the original Talking Pedal? Just wondering how it stacks up against it?
Sorry but I do not. This Talker pedal has a serious fuzz mode on it that can really get crazy.
Here's another video.
Man, that pedal is cool as! If only I had a chance in hell of ever being able to use it!
Kind of gimmicky but definitely brutal. I like how it's sounding in the Bootsy vid stacked with other effects.
What makes it gimmicky to you?
Gimmicky is all a matter or perspective. As with all effects, it's a matter of practical application to the individual. Hell, why do I need 6 or 7 different dirt boxes?
Because I do.
I would be all over this if I had a third foot or if there was an expression out. Controlling a filter sweep and fading in the formant sound would be epic.