Trying to decide which of these two sets of EMG's I want on my 95 P Lyte. Couldn't decide if I wanted PJ's or PJX's, so I got both + a BQC preamp. Blew up the BQC by accidentally touching two boards together, so I got another. So now I've done one gig with the PJ's and I'll do one with the PJX's tomorrow, but in the meantime I recorded samples of both in case anyone else was wondering about the differences. My P Lyte is strung with dead D'addario Chromes, and I had the tone controls on the BQC centered. I went into my A-Designs REDDI tube DI and into my M-Audio 2496 soundcard at 44.1hz, made 112k mono MP3's with LAME, each are approx 1 meg. in size. Used the exact same level on the REDDI and the exact same pickup heights to give you an idea about their relative outputs. Played three short lines...a walking bass line, "I was Made To Love Her" sort of, and "Make Me Smile". First two fingers, third pick. Here's the P pickups by themselves: http://www.fileden.com/files/2008/4/27/1885410/PLyte-01-EMGP.mp3 http://www.fileden.com/files/2008/4/27/1885410/PLyte-02-EMGPX.mp3 Here's the J pickups by themselves: http://www.fileden.com/files/2008/4/27/1885410/PLyte-03-EMGJ.mp3 http://www.fileden.com/files/2008/4/27/1885410/PLyte-04-EMGJX.mp3 Here's both pickups together: http://www.fileden.com/files/2008/4/27/1885410/PLyte-05-EMGPJ.mp3 http://www.fileden.com/files/2008/4/27/1885410/PLyte-06-EMGPJX.mp3 I'll refrain from commenting because I think they're both what I'm looking for, though one speaks to me a little more in the highs while one speaks to me more in the lows. Probably a moot point with the BQC installed, but I figured you all might have some opinions, and might be interested to hear the differences for yourselves.