Guy Pratt talked about getting a midi bass set up only to wind up feeling like he “spent $7,000 on an octave pedal.” That was funny!
Guy Pratt is a bad man indeed. I was surprised to find his responses that he is not a reader. Of course, there are many great non-readers, but I am surprised that he has done so much session work. I think the studio culture of Pop session work in the UK must be different than America, especially when it comes to the old New York and LA scenes.
Isn't Pino Palladino one of the non-readers? The 'by ear' musicians I've known all amazed me with their laser ears. Forces you to recognize chord cycles and they always seem to have a more intuitive sense of melody. My very anecdotal .2 cents.
I can read but I don't. Was at my band's rehearsal one night and everyone (except me) is musically trained and we had a sub keyboardist this evening. I noticed he kept staring at me (I thought it was because I'm black, LOL). He finally says 'are you reading?' I tell him, 'nope, got it all in my head!' He just shook his head! Now that doesn't mean I'm a great musician. I just don't read. Back to that track.......that's an insane bassline. So intrigued that I must learn it.
The entire Toy Matinee album is still one of my all-time favorites. Pratt's work on every track is just superb. Even 30 years after its release, this album still holds up. This project never got anywhere near the recognition that it deserved.
I've never been what I consider to be a good reader. I can, and have, read chord charts on gigs, but by the 3rd time thru playing a song, I've learned it and I'm off book.
My favorite part is when he describes himself as a “not very precise player” and then proceeds to play a very precise line
Maybe, but if you read his book, he’s done plenty of work in LA and NYC. Famously sessions for Michael Jackson and Madonna. He gets recommended a lot because he’s a good guy to be around, apparently. I think Scott Devine has talked about that aspect of getting hired too - be someone that people are comfortable around and like to hang with.
Guy's book is amazing--laughed way more through the read that I thought I would. His bass line for "Like a Prayer" is beyond category. The "Like a Prayer" part starts around 9:50
If you're hired to come up with an innovative bass line that makes the music stand out, you don't get that by playing a part that someone else wrote down. Imagination is more important than the ability to read music in many cases.