Too much is said about the numbers on flats. But that said, Chromes are pretty stiff. Rotosound are even stiffer. But I believe the consensus is that the heaviest flats, as a set, are the La Bella Jamersons. Don't confuse tension with feel. And unless you want terminal thump, don't get too large a gauge because the strings will actually lose overtones and sustain. That is why the Jamerson set is at the limit, about 110, for what is still a playable E string.
There's also the Ernie Ball Group I flats — .110, .090, .075, .055. I have a set of these and a set of the LaBella Original '54s (Jamersons) on similar basses, and they feel similar in tension. But also take note that I down tune and play in D-standard. Rotosound flats certainly feel higher tension for their size. I have been meaning to try out a set of the Steve Harris signature set (.110, .095, .075, .050), but have not done so yet.
Are there any more "exotic" strings making use of special alloys or the like to achieve substantially higher tension than all those "regular" flats? 110-115 would be my limit gauge-wise.