I've seen so many questions lately about buying DB's I Thought that this would be helpful for some Newbies to get a better idea on how to do it.Hope this is helpful. Eleven Tips For A Player Or Parent To Buy A Better DB 1. Set aside time Allow 1 or 2 hours in a week for the process of looking at instruments and/or bows. The process will be more enjoyable and educational without time pressure. The process has three elements: 1) Discovery - involves learning how a better DB can enable you to develop your sound - its quality, tone colors, expression and response; 2) Defining your taste and needs - requires you to ask yourself several questions: what kind of instrument suits your needs best, whether it be for playing in orchestra, doing solos or playing for your own enjoyment? 3) Learning to communicate what you hear to the professionals so they can determine whether changes can be made that will help in finding the "right" violin. Sound will be affected by a change in strings or bridge and a soundpost adjustment. If you like certain things about an instrument or bow, but not others, talk about this with whomever is helping you. It will help you get what you want in the most efficient way. 2. Determine the appropriate quality or price range of the instrument Discuss with your teacher what level of instrument they would like to see you playing. The teacher knows what progress you are making and how the present instrument may be holding you back. They also can gauge future needs. The teacher may also be aware of price vs. value and be able to give guidance as to what price range of instrument you should be considering for purchase. 3. Plan ahead Have a price range in mind when you call to make an appointment to see instruments. That way the shop you are dealing with can get instruments in that range ready for you to consider. If you don't want to spend more than a certain dollar amount make sure to tell this to the seller. For the education of your ear or for your curiosity, you may want to ask to hear instruments in the next range up or down. 4. Determine the shop's policies for trying instruments Ask the shop if they have a "trial policy", i.e. if you really like an instrument, can you take it out of the shop for a set length of time to show it to your teacher, play it in orchestra or a concert hall? Whatever factors are important to your decision-making, determine whether they will fit into your "trial period". For example: Will your teacher be in town to give you feedback; can you get into a hall if projection of sound is important? 5. Trade-in policy Ask about the trade-in policy of the shop. If in the future you need a better quality instrument or a larger size, what value will your present purchase be given in a trade situation? Also try to determine what selection the shop has available in the range or size that might be the next step-up if trading is important to you. 6. Build a long-term relationship with the seller Buying a DB is not like buying a pair of shoes. You don't make your purchase, use it until it wears out and then get a new one. Fine stringed instruments are designed to last hundreds of years and, in a sense, you are just a custodian of that instrument for a number of years. During that time, you will need a repairperson to make certain your instrument is healthy and sounding its best. It is in your best interest if the seller provides this service, especially if the seller offers 100% trade in value. In that way the seller will have an interest in the upkeep of your instrument and will keep you advised of whatever is necessary to maintain its value. 7. Purchase good value Buy a fine DB from someone who has something at stake in being honest and providing good value, such as a good reputation in the community, a business relationship with your teacher or a personal relationship. Value of fine instruments is based on four things: origin, quality of craftsmanship, condition and sound. In most instances, the buyer is quite dependent on the seller's expertise and perspective on the market place to price instruments and bows accordingly. Unfortunately, there is no Blue Book or Consumer's Report for violin values. 8. Include your teacher in the process Your teacher wants you to do your best, not only technically - in learning the instrument - but also in being able to musically express him or herself. Having the right tools, i.e. violin and bow, is crucial to this process. The wrong instrument may result in injury, frustration and lack of motivation. Most teachers will give guidance in this process of choosing an instrument, as having an appropriate instrument and bow plays an important part in their success. Please pay your teacher for any time outside of lesson time that they spend helping you. Some shops pay teacher commissions. If a teacher is advising you and getting paid by the seller, you (the buyer) should know this in advance and it should be discussed openly so that you get the best possible guidance and advice. 9. Planning payment for a fine DB Check to see whether the shop has any financing or can refer you to a bank that understands violin purchases. By the time you have made your decision, be ready to tell the shop how you wish to pay for the instrument. If you wait until you fall in love with one, you may be left trying to beg, borrow or steal the purchase price and considerable heartache will ensue if your plans don't materialize. 10. The bow A bow makes a big difference in the way a stringed instrument sounds and responds. Once you've decided on an instrument, play through bows to find the one that sounds the best on the instrument and responds the best for the player. 11. Don't forget a protective case/Bag The value of your new instrument and bow is only as secure as the case. Determine how much risk you need to guard against and choose carefully. Be sure to ask about what materials it is made of, suspension features and warranties.