Arthur U. Poon said:
Only if the bass' design allows me access to all 24 frets!
Best answer
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JimmyM said:
Bah...24 frets is cool to have, but certainly not necessary. It doesn't make you a better bassist to have 24 frets, does it?
This is somewhat missing the point of having 24 frets/7 strings/etc. -- the point isn't to be a better bassist simply by having a bass with these attributes, but to remove obstacles from creativity -- eg, only having 21 frets or 4 strings -- so that you can do MORE. Jaco only needed 4 strings, right? I guess you could say that about Michael Manring...and then point out the 3 octave fingerboard he has on his signature bass.
Looking at these things should be the same as looking at technique. Incredible technique is not going make you a great musician, but there is going to be NO physical limitation to you making great music. On the flipside, someone with an incredible melodic concept, ear, and knowledge of application of harmony with
no technique/complete garbage technique is going to find themselves constantly hitting physical limitations that will limit their output. From all indications, Jared is a great player (IIRC, I heard something from him in the Recordings forum, but I might be wrong) and someone who by all accounts uses his high C string and his 24 frets. Drop Jared on a 4 string with 21 frets and, while I'm sure he could still play some pretty deep stuff, there are certain physical limitations -- the lack of another string and 3 frets -- that will intefere, and by the virtue of the bass he's playing, would have fewer colours to paint with...dig?
EDIT: IMO, they are necessary for what I play. My fretless has a 2 octave board, but my fretted only has 20 frets, and there is indeed a strong sense of being limited when moving from one to the other (the "speedbumps" don't help either
) by the lack of those 3 notes. I'm picking up a Yamaha TRB-4II in the near future that is indeed a 24 fret bass, and I couldn't be happier with it. To be entirely honest, the 24 frets was indeed one of the things that attracted me to the bass. Even if you don't USE those extra notes, the complete visual of a 2 octave fretboard makes a lot more sense to my brain that, when looking at patterns, wants COMPLETE patterns, if not entirely symmetrical. If I scratch one arm, I have to scratch the other in the same place or I feel off balance. The same happens when I play up high on a bass with fewer than 24 frets.