Excellent condition 2015 Smith BSR5GN. Whats unique about this bass is that the body core is alder. Additionally, the original owner had the bass but with an extra pin strap hole.....which makes the bass balance way better than with the stock position. The bass comes with the OEM case and case swag. The only defects I can find are (1) there is some light surface corrosion on the B and E string bridge saddles (2) there is some slight discoloration from thumb position playing wear between two two pickups. Aside from that, the bass is in EXCELLENT condition. Specs are as follows 9.5lbs alder core/walnut facings ebony board 34" scale 18v preamp w/ series parallel and mid selector switches black hardware 18mm spacing 5pc neck thru construction 2015 build year NO TRADES PLEASE......$3500 shipped CONUS
Does it still have that Smith sound with the Alder core ? Smiths always seem to sound similar to me regardless of wood -- but I've never played an Alder one.
In a nutshell, yes. However, I've found that with the alder body, rolling more to neck pick up helps tame some of the Smith burp in favor of a more traditional bass sound. However, even when doing so; it still retains its Smith character. Its just not as in-yo-face as a maple core Smith. Rolling back to en even blend, or favoring the bridge pick up, will bring back the traditional Smith burp. But even when doing so, I'd imagine the bass has a bit more of softer/rounder Smith character than compared to a maple core Smith.
Yes. Alder core. TB memeber @nostatic commissioned this build. And yes, I've NEVER seen an alder cored Smith. EVER.
This is a fantastic bass. If I was playing 5-string these days, I'd buy it back. What I wanted was a P-bass with serious attitude. I'm not really a fan of the Smith sound that you typically find on youtube - part of that is eq, part is technique, and part is that maple/walnut body feeds into it. Ken had a few pieces of alder left over from decades ago, and I ended up having him build a fretted and fretless five using those as the core. For my playing, it nailed the "pissed-off P-bass", and could also be pushed into more typically Smith territory. The other thing is that Smith basses are one of the few where the pan control actually is useful. I rarely touched the eq, but instead would just vary the pan during the evening. Also the second Dunlop strap lock position imho greatly improves the balance on a strap. I find that higher than midpoint tend to make the bass pivot towards me, and my left wrist doesn't like that.
Yep to what he said. To further testify, the blend control on this bass is exactly how I would go about getting tonal variation. It is extremely powerful and usefull. If I was slapping, I'd favor the bridge pup a bit and get that signature burly smith sound. If I needed a more traditional tone ala fingerstyle, I'd center the blend or favor the neck pup a bit. By doing so, most of the burp is gone and the bass took on a more traditional bass tone. And yes, the extra pin strap hole was/is money. The bass balances soooooo much better with this option. It's a killer bass. I'm happy keeping it, but I could use the cash.....and I have a Lakland 5594 that is a better fit for the gigs I'm doing. Whoever gets this is getting a special bass indeed.
somewhat crappy recording of this bass in a live show. I can try and work on a more professional recording this week if you need it. FWIW, I am playing the Smith most of the set. There are a couple songs where I'm on a Lakland 4. Earphones will help.