Hi all, I played an 800RB for 20 years, then a 1001RB-II, now I have an MB212 and MB800. Every other GK amp I've owned had a Boost knob but not the MB800. I just can't seem to coax the same sound out of the MB800, even using the B channel and cranking the gain. It distorts but not in the same manner as the other amps. Hep a brother out! Thanks, Alan
While I think some extensive R&D went into getting some of the characteristic GK "sound" into the MB series, I don't think they're really voiced similarly to the RB series at all, at least not in my limited experience with the MB series. I have an unopened MB800 waiting to try out at home, so perhaps some comparisons to my 700RB-II are in order if I get time next week...
Cool, thanks for the reply. I'm thinking about getting a 700RB-II to get back into the tone universe I'm used to...or another 800RB...that thing had tone for days, if not power. I had an MB500 for a few days, it has a Boost knob which was better, but the low end was Huge if I recall correctly. The Aguilar TH500 gets good marks for power and tone, will it 'growl' with the Gain cranked?
I was able to get a similar tone to the "boosted" grind on my MB500 on it's "clean channel" by cranking the master volume past 12-3 o'clock and setting volume with the gain, FWIW.
If you are trying to get "home" to the GK sound, I would steer clear of the Aguilar. It is in a different universe. Its good marks for tone and power are well-deserved, but that's by people who like the tube amp sound. It has tube growl, but a lot of tube squish, as well. The EQ voicing is far different from the clear punch of the GK. This won't solve your overall problem, but you might actually want to try the MB200 for fun. You can crank the gain knob and get a nice growl that's a bit warmer than what I've heard from the larger MBs. It really kicks for 200w, and you may be able to get by with it in a lot of situations if you add enough speakers. Decent DI, too.
I love my mb800 but it's not quite the same beast as my rb700, it has a rounder bottom end witch gives it a different kind of grunt when you turn up the gain, it's close but not quite in the rb realm. having them bolth siting together is fueling fantasy of a mb2001rb fusion, 3 tube preamp from the fusion series, biamp capability with horn defeat for the high gain chanel from the 2001, stereo digital power amps....hhaa
I've been heading in the 'tubish' direction lately. Modeling a tube amp in front of the quick, punchy GK is nice, just seems pretty inconsistent...works in one room and sounds like poo in another. I had a similar fantasy of duct-taping an MB800 and an MBF800 Fusion together, to make a 1,600 watt tube/SS amp that weighs under 11 pounds!
I can crank the master and set volume with the gain on the MB800, it's just that without a Boost knob it goes Uber-Clean set like this!
Has anyone determined if there really is a tonal difference between the A and B channels? After a lot of testing I'm still not sure there is any.
some people at the effects forum have been working on this lately: http://www.talkbass.com/threads/gk-rails-in-a-pedal.1122467/
In my experience with both the MB500 and the MB800, there is certainly a tonal difference, though it might be somewhat more subtle than what you would experience with an RB series amp head. In my observations, quite a few of the dedicated GK players here, once they transition over from an RB head to an MB head, seemingly expect to find the RB tone and performance more or less directly replicated in an MB package. If so, that may be an unreasonable expectation. The RB and the MB are of two different power amp typologies, the RB being Class G, while the MB is Class D. So while the two models will have a lot of similarities, each with that characteristic GK punch and clarity, one can assume the similarities only so far. MM
If I remember tonight, I'll double check what I posted and come back. I've played RB heads for around 12-13 years and just this year picked up an MB500. For the settings I use with my bass, my playing style, etc... they are very similar tonally, with the MB being just a tad brighter and more "present."
It seems like the MB series and the RB series are quite similar tonally, close enough for me anyway. What I'm talking about is the inability to get the kind of 'grind' that comes with a cranked boost knob, when there ISN'T a boost knob. Bob Gallien mentions the G.I.V.E. technology in every GK manual and advertisement and I know they are rightfully proud of it, but I'm finding a lack of that kind of beautiful grind in my MB800. I finally got my MB212 back (which HAS a boost control) so I can compare tomorrow and report back. Thanks to everyone who has contributed so far to this discussion!
Checked last night and I had it backwards. Gain cranked and volume set with master on the "clean" channel (MB500) sounds about the same to me as the boosted, dirty second channel.
Yes. This is as close as you're going to get to the boosted RB series sound. Turn the master volume off and crank the gain (maybe to 2 or 3 o'clock to start). Then, very slowly turn the master volume up to taste.
The MB and RB series sound pretty different, to me. The MB have extended lows and highs, and "don't hit the rails" and do the RB series "boost" thing. You can get some grit out of them; but, it's not the same thing. So, if the RB thing is your thing, you may be happier with one of those. Also, though the MBF series do have three tubes in their preamp section, I really would call them very tube amp feeling, at all. At least, not in the sense of "big tube amp being pushed hard," where they get a ton more harmonic content, grit, grind, and compression/sag. Probably better to think of the MBF heads as "a slightly rounded off MB series." IMO, YMMV, etc.
I have played through my buddy's MBF800 and agree Chef, a great sounding amp but just a slightly different flavor of GK tone rather than trying to cop a tube amp tone/feel.
Mike, the MB500 has a boost control so it seems like you could just turn that up....or am I missing something?