Although I don't usually use effect pedals, I've just joined an amateur Metal outfit (2 guitars, bass, drums) and was wondering what would be the ONE most useful pedal/stomp box. The music runs along the lines of Metallica, Ramstein, etc. My bass: 1979 MusicMan Stingray 4; Amp: SWR Workingman 15. Thanks for any suggestions!
I'd say get a good compressor and a good fuzz/overdrive unit...other that that it's just good to toy with different units at the store until you find something cool.... Be warned though, if you get into effects, it can be an expensive side-hobby!
I know, I know! Pedals I use in recording (but not on stage) are: boss t-wah boss ps-2 digital delay/pitch shifter (about to be sold) ibanez auto filter (afl) - envelope follower (about to be sold) morley pro bass wah (pba) pro-co rat distortion (this might be good) yamaha spx-90 (multi-effects)
Yup: Compressor. ..but may I suggest that you get one that allows you to dial-in a pronounced attack 'tick'. I use the Boss CS-3. Now we maybe both know that the CS-3 is not the most respected compressor around here, but that has alot to do with how 'unatural' it sounds; how 'not-transparent' it is. That's why I like it! One thing I like is how when using a pick, I can get a killer kickdrum-like "TICK!" on the initail note transients - including muted-string 'dead-strokes' - punchy! ..AND I can simply use the Attack control like it was a "pick-tick volume knob" - cool. Oh - and the Tone control lets me boost treble first-thing after the bass - I always leave it pretty-much around 3:00. Joe
to me, there is no greater effect on bass than an overdrive. Compression really helps, but Ive always looked at compression as a way of smoothing out ones own sloppy playing. I know thats not all a compressor does, but id make a case for a nice overdrive before anything else. I have lots of stompbox O/D's and dist's but none of them sound quite as good through a DI as they do coming out of the amp. So far, my favorite O/D is the one on ampegs billy sheehan preamp. I think theres some samples at basstasters.com.
I still have to try out these effects, but for the time being just increasing the gain on the amp has given me a more grittier tone. I also used my other bass, a G&L L-1000 rosewood in place of the Stingray for deeper bass response.
For me it goes like this: 1. compressor 2. fuzz/overdrive (not a full on distortion like a Muff or Rat) 3. chorus Thats all I ever really need.
I would say hang onto the Wah and Rat and go Cliff Burton style. Tha'ts a good place to start for metal music.
i think most hardrock and metal bass players, play clean but most of them use valve amps so they get a nice bit of natural overdrive..
you dont need effects to play in a metalband, i play clean in my thrash/death band. but different people, different taste.