For the past several weeks, I've been having shops and makers send me close to thirty bows all in all to audition. It's been a somewhat intimidating process having so many great bows all at once. I tried bows from Reid Hudson, Pierre-Yves Fuchs, Roy Quade, Bernard Walke, Bisch, Steve Reiley, La Pierre, Morizot, George Rubino, and quite a few others. What ended up making a tremendous difference in my selection process was having my bass teacher come over and playing many of these on my bass for me to listen. Prior to doing this, I was fairly settled on the Roy Quade bow. What I found though was that out front, the sound from most bows diffused and became fuzzy and lost in the room the farther you got from the bass. A select few had this mass like quality however that remained clear and strong no matter the distance. It was these bows that actually seemed quieter when actually playing the bass. The two bows that had this quality were the Fuchs and an unstamped bow attributed to Victor Fetique. The more I compared the other bows to these bows, I became increasingly dissatisfied with the other bows. Ultimately, I picked the Fetique for it's sweeter sound and more comfortable playability, but the Fuchs was definately no slouch. The moral of the story for all you bow shoppers is to have other people play your bows on your bass while you stand back and listen from different distances. Here the pics of the bow. Now, I realize that this is an attributed bow and that there is always a risk that the bow is not going to have a great resale value and yada yada. I negotiated this bow for what I consider to be a good price, and I am confident in my decision. The bottom line is that this is my favorite of the bows I tried, and I'm buying it to play, not to sell it.
Nice. Thank you for the report. Did you try the Fuchs from Robertson's? Earlier this year, I tried two Fuchs from Robertson's and I liked one so much that I bought it. Amazing bows, so your Fetique must be fantastic.
The Fuchs I tried was from Robertsons, but I can't say for sure if it's the one you tried. They really are fantastic, and I could have been happy with the Fuchs. It's funny though because I started out not really being that impressed with it.
Congrats on the new bow purchase! I myself have been on the great bow quest. Is this quade bow you passed up perhaps the bow I am trying out now? It's a very fine stick with black hair, impeccably made, but I'm not entirely enamored with it. Is that fetique from robertson's? I probably tried most of the bows you tried, and also turned them down. If so, I was kind of looking forward to trying that bow you just bought! Ah well, there are many more good bows hiding in the haystack. I think I sent you those Bernard Walke bows you tried. The quade has beat all of the fuchs, hudsons, lipkins, bazins, morizots, kolsteins, etc.. but it's still not the right fit. Tell me, how does the timbre (while playing) and playability compare to something like fuchs or hudson, or especially to the quade (if it's the same bow you tried)? I'm more concerned with playability than sound at the moment. Once I have a bow that actually _works_, then I'll find how to make the sounds I like with it. Strings are easier to change than bows, and my bass sounds fantastic even with a stupid bow that takes 10 tons of rosin and 1,000 newtons of force to play. Thanks! -Trevor
The Fetique is from the David Gage shop so it's not the one at Robertsons. I sent the Quade back maybe a week ago via 2 day air so it might be the one you have now. The Quade was very pleasing to play. The sound was very open, clear, and loud to player. It the msot responsive and agile out of all the bows I tried. If I hadn't had the chance to hear someone else play it for me, I would have probably gotten that bow. The fetique has a strong core sound with mass too it, but has a sweet mature sound as well. the Fuchs is all core and sounds very chunky, but in a good way. The Quade had a beautiful, open, clear sounding tone, but I found the sound kind of died off at a distance. In terms of playability, the Quade beats the other two, but only marginally. I actually find doing complicated spiccato strokes such as the bariolage to be easier on the fetique as well. On your bass, it might be a different story, but I implore that you have a peer play your bass and you stand back and listen as well. I think you are the person who sent me those Walke bows. I tried some Prochowniks from George Vance and when I peeled off the shipping label, I noticed your name on the old label below it. It's like we're following each others tracks...Anyway, good luck on your bow hunt, it's an exciting and rewarding experience. I know I have learned a lot just from trying all these great bows.
Thanks, ditto on the rewarding part. I have learned a ton about bows since I started this madness. This is actually my second bowquest. The first one was too short, methinks. That was a great review! I'm glad you threw the Fuchs in your comparison, too. That tells me that I'm not stupid for thinking that I can do better than the Quade. It's hard to remember all the bows I've played. Enjoy your fetique! It looks lovely, and I'm sure it sounds beautiful! -Trevor
I bought a Fuchs last month. The first two I tried had a bit too much camber, but I managed to find one that was just right. They're great sticks.
I am curious what price range these bows dwell in. I am looking for a bow and need to know how much to spend on a really good bow. I am not looking to break the bank, just testing the market for such a bow. Mike
Congrats on that great bow! It is a beauty and must sound great! I did my own "Bow Quest" last year. I tested a number of great bows from Lemur in a similar manner. I was also surprised to see the difference between the sound up close, and that heard from a distance of 5, and then 15 meters. I ended up with a Bernd Doelling Optik bow, in the German style I prefer. I also selected my new bass from several possibilities using the three "listening distances" as a key decision factor. Now I am testing most of the popular orchestra strings, at the three distances to see which ones perform best with my bass/bow/rosin/player combination. Happy playing!