Further thoughts on the Rumble 100...
Anyone who remembers me from my old username on here (aka - Sundogue), back in the day of designing and building my own cabs, always buying/selling/trading various preamps, amps, etc. constantly in search of the tonal Holy Grail and gobs of power for the loud rock bands I was in, drove me to a lot of experimentation. No matter how close I came to "my" perfect tone and volume, I was never totally satisfied.
Yes, GAS is a real thing. But as I've gotten older, and my taste in music changed, a funny thing happened. I stopped being so picky about it. I still care about my tone, but I no longer feel the need to chase perfection. The best part is, in the past so many of my bands/gigs not only required the tone I was after, but also needed to do so at high volume. That makes a big difference in one's approach to resolving the requirements for both tone and volume.
Now that I have no need to get loud, it's become so much easier to find something that provides the tone I like. I still like a tight low end (but it doesn't need to be fed gobs of watts to get there), punchy mids (but without any need to "cut through the mix" to compete with other loud instruments) and crisp, articulate upper mids and highs that provide those beautiful crisp, clean upper frequencies.
And now that I am older, and dealing with lower back and shoulder aches and pains (due to past injuries) the need for lightweight gear is more important than it ever was, Back then, the idea was always a compromise...Light, Loud and Low. Pick any two because all three were unobtainable. It's a beautiful thing to not really have to compromise when you play light, low volume gigs. You can achieve all three, beyond "bedroom practice" volume.
So I can relate to those who need more power. I once was exactly in that position...back then. Now? This Fender Rumble 100 satisfies all three criteria. Mainly because at live gigs, onstage volume requirements are a moot point. The Rumble 100 handles not only the stage volume but also carries the room without any need to be fed into a PA. I won't be playing any gigs that need a PA beyond a monitor mix if there is a vocalist. Small "MTV Unplugged" type gigs for me now.
It is amazing how easy it is to achieve incredible tone now simply by removing that VOLUME aspect from the equation. So I get it. The Rumble 100 ain't for everyone, and possibly not for the vast majority of players. I've "been there, done that" so I can appreciate the comments from those still searching for perfection and the need for more power. For those that think the Rumble 100 is only suited to practice volumes, just aren't in my position. When I was younger I envied those who were. I'm there now too and thrilled and grateful where I'm at now.