I've not been shy about publicly pining for a Fodera Yin Yang Standard for quite some time now. I had read mostly good things and heard some great demos, but couldn't find one to try in StL. @bassbuddha had one in the classifieds, and there it sat, calling to me. But the pandemic had severely cut into the disposable income, so I bumped it a month ago with a post wishing that 2020 wasn't such a tight year. Fast forward to the end of the year, and it turns out that we had overtightened our belts during the worst of it, so we had a little make-up bonus at the end of the year. I knew JUST what to do with mine! This bass plays like a dream! @bassbuddha kindly put fresh Fodera ultralight rounds on it. The action is really low and there is NO fret buzz. I usually play flats with slightly higher action, but I'm not changing anything for now. It plays so nicely as is. I am really digging the preamp. I've played it for a good hour and I am thrilled with the playability and tonal palette. I've run through some Al Di Meola, Santana, STP, Police, Marley, and Steely Dan and found good tones for them all. I had the WD-800 set flat and just played with different techniques and settings. Pick, fingers, it responds to techniques beautifully. Harmonics SING on this thing! Slim, fast neck, just the way I like. Slides are easy despite the rounds. Josie was never funkier in my hands! (Although no doubt considerably funkier in Chuck's!) Truly a dream come true! I couldn't be happier with this bass!
I recently posted on a thread about how long it takes to decide whether a bass is a keeper, and I said for me, five minutes. I was a little nervous about even trying it out, knowing that I would really be disappointed if it wasn't a player. So I'm EXTRA thrilled that it feels so good in my hands!
Thanks! The pics hardly do justice to that wavy maple. And the ebony fretboard is such a rich contrast. With fresh rounds it's hard to say how much brightness the ebony board adds, but it plays great.
Thanks! I had done all the research I could do without actually getting my hands on one. I knew it was a looker and wasn't too concerned about electronics or neck dimensions or that sort of thing. But the pictures don't show how solid it feels. It is a 4-bolt neck but it feels like it's carved out of a single block of wood. Balance is great and build quality is just superb. Playability is amazing. It's the things you can't see that had me swallowing hard when I pulled the trigger. And it's nice to see how well it has been cared for. Perfect setup, strings installed with 3 wraps around the posts, pristine condition, arrives a day ahead of schedule, and almost perfectly in tune. Plug and play. Then unplug. I keep forgetting...
beautiful bass, for the record I haven't bought one of these only because then I would literally have zero excuses why I can't play classical thump............ so......... elephant in room........ got a link to your video of classical thump? I'll wait. woot woot.
Gotta confess, I was also eyeing a MM Ray 5-string, which actually would fit in with my current band a lot better. But screw 'em, my GAS fund is currently and officially in need of replenishment! But that's just regular GAS right there. This one stirs my soul. I am an acupuncturist, which is a bit unusual for a medical doc in the US. I'm not exactly a practicing Buddhist, but I am deeply into Eastern philosophies and the perspectives that they bring to life. So to have an axe that kinda reflects that, plus being such an awesome player, is really satisfying!
I went to a shop in Japan that had Fodera's on the floor and the shop attendant kept trying to get me to play one. I wanted to since I've never seen one in person but I knew ignorance is bliss for my wallet, so alas I did not play one. Congratulations on a very happy NBD, may it bring you many hours of joy.
Not a recording you'd really like to hear! I think Vic Wooten is a monster player and have been aware of him since I happened upon Bela Fleck years ago, but I can't say that his endorsement of or involvement with the development of this bass is a big reason I went for it. It turns out we have a mutual friend and it sounds like he is as impressive a person as he is a bassist. But it really was the quality of the instrument, Fedora's reputation, the design, dimensions, features, and the aesthetics of the bass that spiked my interest rather than his endorsement. I am a miserably poor slapper, although this bass is a slap machine and I do better on this one than on my other basses. So maybe there's hope yet...