So about 4 years ago my son raided the collection and took my AVRI 62 Jazz bass off my hands, since then I have been without one. My Zeppelin tribute is about to launch so I figured I better get a Jazz. I bought a Demo from Sweetwater for $1600, with free overnight shipping. My immediate reaction is I like it, well built, nice wood selection on the two piece body. The rosewood fingerboard is a little bland compared to the AVRI 62 and the profile is much more 70's like than than AVRI 62, that's ok I like the fuller feel of the neck. The dot inlays don't look like "clay" and are quite a bit darker, not a negative just pointing out differences. One othe big difference is the pickups the 62 came with vintage tall pole piece units, the American Original has flat flush pole pieces, they are supposed to be '64 spec. I'll be taking the bass to rehearsal next week and I'll report back. Overall I am very pleased, I did a setup and got the action nice and low, always a acid test for me.
But aren't the real claydots kind of dark and whereas the old vintage series with the '62 Jazzbass hadn't claydots (the dots were far too bright) Fender re-invented claydots with the new vintage series from 2013-2018 that was more period correct and had the darker claydots like the '64 Jazz. I kind of would assume that the American Originals series as the stripped-down successor of the vintage series might have the same claydots as the 2013-2017 series? The claydots were one detail of the last American Vintage series many players raved about. Your bass has the same pickups as my '64 Jazz from the AVS series. I like these a lot! I have to say there is one huge dissadvantage of the clay dots: you can't see them on a dark stage. Really confused me. Some pro players are much more pragmatic than we are: did read a story of a guy who sold his vintage Fender and bought a new one because off the brighter dots. No 1000 page discussion about vintage vs. new. Just a pragmatic decision of a Pro. Funny somehow: there is nothing pricy about the original claydots. The stingy Mr. Fender found a second use for the asbest poisened veneer carpet on the Fender plant...
The ground strip like on the originals and all Fender vintage Jazz Basses before... I don't know when Fender started to hide the grounding. Anyone?
60s Jazz basses had a brass grounding strip, the big ashtray covered it, little did Fender know that lots of players would remove them lol. I'm not sure if on this bass if it actually functions as a ground or just there for aesthetics.
Hi godofthunder59 Great to see that you like your new toy! The one with the stacked knobs? Does your son play drums? Well………………..., that won 't work for a Led Zep tribute! Sunburst + tort and 70s neck is more Judas Priest tribute! just kidding! Have fun! Happy NBD!!! may the bass be with you Wise(b)ass
Hi godofthunder59 When they are serious about it it will work! I had that on my 83 Squier (which was a 60s copie) And the electronics won' t be shielded. That 's how they can sell you a shielding kit greetings Wise(b)ass
Nice bass. I think I saw that one in sweetwaters showcase. It has a nice burst and the grain is awesome. Enjoy her.
That's a really nice Jazz Bass. Looks flawless and I would play that anytime and anyplace. Now...if I could find the same finish, fretboard (rosewood)neck (1.5 inch at the nut) and (tort) pickguard on a Precision Bass (single split pickup) I'd be very happy! Enjoy!!!
dont know anything about the 62s but these are killer jazz basses ! pay attention to the neck however ... its set up requires care ... PS mine is pictured in my avatar !
So, they put the hootenanny button on, replicate the clay dots, yet change the neck radius and the pole piece heights. And why not offer the bass with a grounding strap of the correct width?