I'm currently studying Rufus Reid's book, among other materials, so I'm already comfortable and familiar with the usual method of negotiating ii-V7's when they're 2 to a bar (i.e [Amin7 - D7alt] [Gmin7 - C7alt]), where you play the root on one, a chromatic approach on 2, the next root on 3, and then another approach tone into the one of the next bar. I usually try to vary this by perhaps starting on another chord tone if applicable (3, 5, 7, etc.), and if the musicians I'm playing with are comfortable with it. My question is what other methods do you all think about over these types of progressions? Anything you guys have to suggest would be appreciated!