So I now have 8 basses: Gretsch Junior Jet Squier CV 70s Precision (upgraded) Cameo 60s (restored and upgraded) Fretless P Bass (mix of new and old parts) Huntington Supro I Telecaster Frankenbass (new and old parts) Eberle Hybrid double bass Ergo electric upright All are 4 string. They cover any kind of tone I could ever need. None (other than the Eberle) cost me more than $900. And I feel absolutely no need to acquire any more (I'm allergic to 5 strings). I feel the same way with gear too -- amp (Quilter BB800), cabinets (2 Eden EX112s), effects pedals. I tried making a list of what I should save up for or purchase next and came up with a blank. Is something wrong with me? I even considered getting into bi-amping or investing in a fancier microphone but neither really make any sense to me. Is there a word for this condition?
I now feel the same way no more GAS. It's actually a very nice feeling too. Satisfied is the word I would use.
Hi aekisz Yes! You need help!!! This is witchcraft!!! It can 't be explained otherwise! may the bass be with you Wise(b)ass
I have an unusual form of GAS. I don't have something in mind I go looking for. But, I will, occasionally, stumble across something, particularly basses, that catch my eye. At that point extreme GAS kicks in and I may or may not be able to control it, depending on how pretty it is.
Satisfied or practical or realistic are all words I use. I have been pretty GAS free for years. I look, and sometimes I really get the itch to pull the trigger (like a Roscoe Classic PJ for $1,300) but then I play my bass - Roscoe Century 5 -and realize that my NEEDS are covered. Sure, other basses would be fun/nice and I could maybe justify them, but really, no one has ever said anything about a bass I have played at any gig. I’m early, I play appropriate parts in a tasteful way that supports the song/artist, my gear is in good repair, and I know my place. I think those things get you further than a p with flats, a p with rounds, a pair of similar jazz basses, a stingray, a gretch, a... Some people do need all that. They tour. They record. They have disposable income. That’s great. I find I can do anything I need with my Roscoe 5. I can get a variety of tones, and it’s the best playing/feeling neck I have tried. I was on the merry-go-round but I am relieved to be off. It’s a lot of work to always be looking for your next last bass.
The trick is, to get ONE bass to cover your tone. The greats don't sit there and pull out 8 completely different basses at shows, they usually have just their #1 or maybe add in a second. Unless of course you are a collector more than a player.
Nothing I have is collectible really. But I probably could get all the sounds I need from my T Frankenbass. That’s the keeper in the bunch though there are sounds that some of the others make that are pretty unique. The Gretsch has a warm thump I’ve never heard anything else make. The sharp piezo in the Supro is pretty special too.
In currently sleeping on my futon in my bass room upstairs because we are sleep training out newborn and I'm the one still working while my wife stays home with the baby. This morning I wake up and of course I look at my rack or basses and think.....dude I really can't think of another bass I REALLY want. I can rattle off 10 I'd like to have sure, but the drive isn't there. I have a bit of gear GAS though. I want an Aguilar sl410x cab and I'd like and orange rig as well. Currently the stable consists of: EBMM Sterling 4h white w/ maple board EBMM Sterling 4h desert gold w/ RW board EBMM Sterling 4h mint w/ maple.board EBMM US SUB sterling teal w/ Rw board Fender Franken-P (geddy neck) Fender franken-jazz (warmoth RW neck. Bound and blocked) Ibanez Talman 301 Ibanez sdgr 305 Ibanez gio (first bass) Ibanez acoustic Ibanez agb140 Yamaha Rbx260f I think that covers all of em. Most I have strictly because they would only sell for 100 bucks or less and they have more sentimental value than that
Owning many things is a lot less satisfying than owning the right things. So, I am selling loads of mostly unused cables, from evidence audio to Analysis plus, hoping to lose some weight.
I have too much. Every time something catches my I think "yes, but the FGN covers that" or "the Starcaster feels so good" or "the Jazz Bass Special can pull Pmduty." Every time I think I want to sell something I think "man, this Jag deluxe is amazing" or "short scale, big body jazz box bass? Hell, yes." I have too much, but it's just enough.
Sometimes controlled overindulgence is the single best cure. In the last five years I’ve acquired more basses than I’ve owned in the previous 45 years I’ve been playing. It’s been a fun fling. But I’m pretty much done. I’ve got one bass left on my bucket list. However, that one would set me back more than what I’ve paid for everything else I’ve got. So I seriously doubt that will ever be anything other than “the one that got away.” And that’s fine. It’s good to still want something.
I own six: a four and a five Schecter, a Thunderbird, a SUB, a Mikro and a Rogue violin bass. I am content but Sweetfest is coming, only the Shadow Knows