Hey guys, I am looking for a passive direct box for the end of my pedalboard chain. (Immediately preceded by a Zoom MS-60B). I'm looking for warmth and fullness. I am leaning towards the Radial JDI, but I thought I would ask if you guys had any other recommendations. You tend to often hear of, have experience with, and recommend things I have never heard of before, which is what I LOVE about this place. I did find this direct box shootout, which I found incredibly helpful. If I were to go active, and had the money, I would go RNDI all the way. If I had the rack and the funds, it would be the Avalon. https://www.sweetwater.com/insync/direct-box-comparison-bass-guitar/ I'm primarily thinking passive because I most often play in churches with inexperienced sound personnel and under-funded, sub-par sound systems, and have had issues with phantom power not working when I needed it in the past. And from what I've found, most of the good higher-end active direct boxes that require phantom power don't have a backup power option, except the Countryman which can be run on 9v battery if needed. But I haven't seen one - for example - that I could power from my 9v daisy chain or MXR Iso-Brick if needed in an emergency. Passive just seems like a safer way to go. I don't want something big and fancy like a tube DI, because I want something pedalboard friendly. Thanks P.S. What about a Whirlwind IMP2? I never would have considered something so "cost-effective," but the reviews are positive, and I'm hard pressed to find significant differences in sound between it and the Radial. And $53 is pretty hard to argue with.
Radial JDI has the best transformer you're going to find. If you like the price of the IMP2, you could look at the Radial ProDI, same range. They sound good, they just don't have the Jensen Transformer. I would argue for live, the ProDI and IMP2 are fine, but this form is built on things like the benefits of magical transformers for tone
Sure. Thanks for the tip. I should say I’d never use it in studio. Having spent decades on the road and in studios, these days at best I would say I play at a hobby level, mostly in churches. So it doesn’t have to be the BEST or most expensive. But that being said, I am a tone snob. And I like to sound good. If I don’t feel like I sound good, it’s not fun to play. All of them have excellent reviews. I just wonder if the JDI really sounds four times better than the IMP2 to justify the four times higher price (while acknowledging that certain aspects of “better” are subjective).
Radial JDI is a great DI, the Whirlwind Imp is a fine DI and the Behringer Ultra-DI DI400P is a decent DI. Outside of a critical listening environment you will not hear a difference between them. Spend your money as you wish.
I play bass and I also have a small sound company as a side gig. In a live situation, you will not notice a difference between DIs. I used to have an IMP2 and have since moved to matching JDIs and ProDIs. I also have a BSS active. The main difference between the JDI and ProDI is that the former has a Jensen transformer while the latter has a Radial designed transformer. Is it worth the $100 difference? Only you can answer that. I play a lot of (some major) festivals and see both Radials all the time. Some of us in the band have had our own on our pedal boards and soundmen have no hesitation plugging into them. One thing I noticed is that whenever there is a hum (ground loop), lifting the ground on the Radials usually gets rid of it. Lifting the ground on my old IMP2 rarely did. When I add new DIs to my inventory, they will be the Radial ProDI. Decent price and built like a tank. I also have a stereo one which is handy for keys. I wouldn't mind having a couple more.
Ditched preamps/DIs last year and went for a JDI at the end of my chain. For me, the xtra $ is worth it, means I can plug in anywhere with very few chances of that part going wrong, plus it helps keep my rig dead quiet. Had a ProDI in the past and it worked fine as well, but I still prefer the JDI.
YES!! That thing kills!! Save you pennies? Is that an option? Allow me to tempt you with GAS! Sorry, I'll leave now
Somebody pass the Bean-O, cuz I've got GAS! Lol. That is a gorgeous piece of equipment. At this point, I decided to just keep my Tech21 VTBass DI and use that as a passive direct box after the Zoom (as in, I don't engage the preamp. Just use it to connect stuff. The controls are all bypassed). It seems - at least practicing alone in my bedroom with a Rolls headphone amp - to be working really well. I like the fact that it has some very practical adjustments I can make to it, even when the thing is bypassed. Like it has the -20dB on the XLR out so it's not as hot, which helps my headphone amp not to fart out. Or a +10 to the 1/4" out. But if I need it, I can still engage it for some additional control. Even if I bypass the amp sim altogether with the blend knob all of the way to the left, when I engage it it gives me additional control over output volume and a 3-band EQ without having to scroll through the menus of the Zoom MS60B. It makes it really easy to make some changes on the fly, if need be. But I have yet to try any of this in a live scenario, and won't get a chance to probably for another month or so. That being said, I'm still holding out for a good direct box. I would be curious to hear if there is a discernible difference in tone using the Tech21 vs using an actual dedicated direct box. I imagine there probably is SOME difference, even if it's negligible. If I were to buy a direct box, though, I'd probably stick with a passive one, only because phantom power at churches is so hit or miss . . . both in availability and quality/depependability.
(I should clarify that I did not decide to keep and use the tech 21 just because I think it to be a great decision. I decided to use it for now because I don’t have any money, LOL. And I am trying to save for a new bass currently. But once I do have the funds, I will revisit the subject.)
I've had access to all the "industry standard" DI boxes over the years. My Tech21 BDDI has always been an acceptable alternative in a live setting. I know technically Radial and others are better, but functionally, in a live setting, you likely won't hear the difference. (I know, heresy!) I like your idea of using the VTBass as a simple EQ and even boost when fully blended. I might have to play around with that a bit.
I figured as much. Good to know, thanks. As for using the VT as a boost, you don’t have to have it fully blended to do that. You CAN, of course, but you don’t have to. With the blend fully off (straight dry signal) when you kick it on, the volume knob and eq are active. In my experience, the eq knobs at noon are flat (there is no noticeable difference between turning the pedal on and off). The volume knob around 230 or 3:00 seems to be unity gain for me. If I wanted a boost, I could turn the volume up more and it would give me a boost when engaged, but still leave my core tone alone. Which, now that you mention it, is a really good idea. I'm going to have to try that.
Honestly, instead of the JDI, I'd get a Whirlwind Director. Much cheaper and sounds the same to me in different recordings I've heard comparing both.
Shortly before I started this thread, I listened to a direct box shootout in which the whirlwind Imp2 sounded remarkably similar to the JDI. Seems hard to imagine, considering the price difference. I’m sure there is more to it than that. But at the end of the day, all we really care about is does it work, and do we sound good? Among all of the boxes they tested, the really low cost ones sounded really low cost, and some of the higher end ones (especially the Avalon U5) sounded demonstrably better. But in that “middle ground” of cost, I was hard pressed to discern a significant difference that would justify another $100 or $200.
That's how I feel about it, too. My REDDI and PF-50T crush everything else I own for direct, and in that middle range, everything sounds pretty similar. I like the Director better than the Imp 2, but I recently busted out one of my Imp 2's for the first time in years and it wasn't nearly as horrible as I remember it being. Pretty decent, actually. I think I like the Director better, but I quit slagging the Imp 2 like I used to.
I gotta say, you are one of the many people on here whose opinion I hold very highly. I have seen you on countless threads. You know your stuff. So let me ask you, what is the difference between the Director and Imp2 to you? I googled that very question but got nothing. A better transformer? Better build quality?
I thought the Director had a little better sound and sounded like the JDI. Build quality is pretty good on both. The Director is also available with a Chinese output transformer or you can pay twice as much and get one with the Jensen tranny that the JDI uses, but I thought the Chinese and Jensen sounded the same to my ears. Honestly, when I hear that REDDI, I think of both of them as paperweights but the truth is they're both pretty decent.
I'm sure nothing compares to the REDDI. Or maybe the Avalon or other super duper tube or really high end direct boxes. But I don't have a super duper bank account, lol.