Unless the pedal is capable of line level like the Eventide HE-90, i I probably won't patch an effect pedal in a mixing desk. I do not a proper studio but I have a couple 500 format lunch boxes, mostly preamps , line mixers for headphone monitoring, with some EQs and compressors. I can track 16 inputs live as well in fact that's mostly what I do, a small mobile setup that is easy to tear down and bring up. I have an Antelope Audio Zen Tour and an Audient Evo 8 ganged together. via light pipe. With the proper breakout, the zen tour supposedly can do 26 i/o. I use an X-touch as a control surface to my DAW It has 9 physical faders and is really a blessing when tracking a full band live. I do this part time and often times I am playing also. The Audient's auto gain feature is really convenient.
For some mixes, I've used a Linden Audio Pultec clone for master bus EQ. But since I got these Izotope mastering plugins and an M2 Mac, I am using it less.
For some mixes, I've used a Linden Audio Pultec clone for master bus EQ. But since I got these Izotope mastering plugins and an M2 Mac, I am using it less.