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Post Your EQ Settings!!!

Discussion in 'Amps and Cabs [BG]' started by BassGod, Jul 30, 2004.


  1. BassGod

    BassGod

    Jan 21, 2004
    Just a fun, pointless thread...

    Just post your amp's EQ settings, and the type of amp you play those settings through! :) Through a Yorkville BassMaster xm200:

    Bass - 3 o'clock
    Low Mids - 2 o'clock
    High Mids - 3 o'clock
    Treble - 4 o'clock
    Scoop - Maximum

    Peace,
    Graeme :bassist:
     
  2. bassJ725

    bassJ725

    Jul 7, 2004
    Guess no body wants to give away their secret :ninja: settings.
     
  3. ChenNuts44

    ChenNuts44

    Nov 18, 2001
    Davenport, IA
    That, or we adjust for the room and therefore do not have any fixed settings.
     
  4. appler

    appler Guest

     
  5. TheChariot

    TheChariot

    Jul 6, 2004
    Boston, MA
    Eh.... I mainly use a 9-band.... so I'll have to make a big effort to post it later, if I feel like going through the effort of making up 9 friggon levers. :oops:
     
  6. Jack

    Jack

    Sep 6, 2003
    Newcastle, UK
    MXR DI
    Bass - 12 o'clock
    Mid - 3 o'clock
    Treble - 1 o'clock

    Laney R5 (amp)
    Adjusted to the room.
     
  7. Bassic83

    Bassic83

    Jul 26, 2004
    Texas, USSA
    On my BMax, I usually go something like this-
    Pre- 9-10 o'clock
    Bass- 2-3 o'clock
    Para-mid- 12 o'clock freq, 12 o'clock level (a little more if the guitarist turns up...)
    Mid- straight up
    Treble- same, more if my strings are hairnting
    Compression- on and 10 o'clock
    BBE Process- on, lo-contour about 1 o'clock, level about 11...

    Of course, this is all subject to change, depending on the room- and my mood...if I am happy, that's about it; if I'm depressed, I tend toward a little thinner sound; if I'm pissed, I bring both 2x12 cabinets and turn everything up!!!
     
  8. Danm

    Danm

    Sep 24, 2003
    Canberra Australia
    Flat Eq

    Adjust for the room on my Stingray, which normally is flat except for a touch of low end boost
     
  9. Jazzin'

    Jazzin' ...Bluesin' and Funkin'

    on my PV microbass, (currently, i change it alot)...

    Bass: #8, 4 o'clock
    Mid: #4, 10 o'clock
    High: #5 11 o'clock
     
  10. James Hart

    James Hart

    Feb 1, 2002
    toms_river.nj.us
    Endorsing Artist: see profile
    generally flat with a slight humpin the low mids and a very slight dip in the hi mids.
     
  11. embellisher

    embellisher Holy Ghost filled Bass Player Staff Member Supporting Member

    It would be hard for me to do this. I use a Peavey BAM combo, and use a different patch for each song. The EQ is set differently on every patch.
     
  12. T. Alan Smith

    T. Alan Smith

    Sep 9, 2001

    Yup,
    but here in the studio, I'll share how I've got my SWR350 set up for my passive P-bass:
    Bass- 2 o'clock
    Mid- 9 o'clock @ ~800hz
    Treble- 12 o'clock
    Aural exciter- 1 o'clock
    This sits in the mix quite well. Touch has EVERYTHING to do with it, so take these with a grain of salt.
     
  13. RyanHelms

    RyanHelms

    Sep 20, 2003
    Cleveland, OH
    I normaly start flat and eq the room, here's what's on there right now...
    (Peavey TNT 115)

    brightness - on
    contour - off
    bass - 1 o'clock
    treble - 2 o'clock

    and an ever-changing curve on the 7 band EQ :D Does anyone else's amp really "boom" around 250Hz? You know, to the point where half steps in the lower register get blurred?
     
  14. cronus

    cronus Guest

    Jan 17, 2002
    Romulus, Michigan
    thats how it is for me i change my settings all the time...i also use different settings for live, practice, studi

    http://www.purevolume.com/fallprey
     
  15. Frank Martin

    Frank Martin Bitten by the luthiery bug...

    Oct 8, 2001
    Budapest, Hungary, EU
    Base setting on my SVP-BSP:

    Gain - 1 PM
    Bass - 12 o' clock, ultra lo boost (@30 Hz)
    Mid - 1 - 2 PM
    Treble - 1 PM, ultra hi boost

    Dist. channel:
    Gain 9 - 10 AM and pushed in (boost off), everything noon with a bit treble cut and combine switch for that crunchy Ampeg tone
    or
    different settings for different tones