Howdy TalkBassers, After six years of service, my trusty Thomastik flats finally earned the right to go to Florida and golf. I tried out LaBella's Original 1954 flats, which help you nail that Carol Kaye tone while simultaneously helping you develop much stronger hands. Video review featuring the Barney Miller theme:
Regular labellas have less tension than these. You don't have to skip all the way down to the new flexible versions. Otherwise a good demo. The universe shaking around you every time your torso moves is a little distracting.
Before the advent of nylon wrapped strings, "tape" was a generic term to distinguish the flat wrap wire from conventional round wire, and some manufacturers may still refer to it as such.
Thank you! I was wondering if senility had progressed. I'm going to split the difference: yes, tapewound can be synonymous, though I think flatwounds typically refer to steel, and tapewounds can refer to nylon and other materials. But we're really splitting hairs. Anyhow, these are "Not Slap Strings."
"Brick House" is the correct answer to everything. Don't like Obamacare? "Ain't enough 'Brick House.'" Can't divide by zero? "Divide by 'Brick House.'"
Hey! My band does a couple of funk songs and James Brown's "Living In America" with full horns, and I slap La Bella black tapes for that. I crank my EMG EXB with the bridge pickup dimed and just enough mid pickup to fill out the body of tone, and it does great.
Slapping on flats sounds great but not so much on these. You need some flexibility. That's not really a trait of 52-110 flats. It can even sound great on a fretless, but not with labella bridge cables.
OK, Gorn's got my original intent here - that strings the size and consistency of pool cues are difficult if attempting to pull off Mark King riffs.
Great video review. Great taste in your choice of basses. But, I will keep my TI Jazz Flats on my Sting P until they finally break or corrode, LOL. Mine have been on since '07 and are still going strong.