Sadowsky Blue Label flats v. Dunlop flats

Discussion in 'Strings [BG]' started by Selim, Jun 7, 2019.

  1. Selim

    Selim Supporting Member

    Jun 2, 2008
    New York City
    I just purchased a 5 string (Fender Am Prof jazz, rosewood board) and can't wait to take off whatever Fender round wound strings came with the bass.

    My favorite flats have been Sadowsky black label flats (45-105). In fact, I'm on my last 4 string set (7-8 years old and still kicking).

    I've ordered both the Sadowsky blue labels and the Dunlops (45-130). Which of these two comes closest to the black labels?

    I'm hoping to get some feedback from my talkbass brethren before I take the bass to my tech for a setup.

    Thanks
    -Dave
     
  2. Selim

    Selim Supporting Member

    Jun 2, 2008
    New York City
    Anybody out there who loved the black labels and tried the blue labels?
    Anybody out there who loved the black labels and found a replacement that satisfied them?
     
  3. Coughdrops

    Coughdrops

    Apr 29, 2008
    South Florida
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  4. Selim

    Selim Supporting Member

    Jun 2, 2008
    New York City
    Thanks that was helpful
     
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  5. babaseen

    babaseen Supporting Member

    Apr 15, 2001
    Boston, MA
    I'm in this position too and have read the "recommended" thread. I plan on using the lighter gauge, 100-80-60-40 set of both.
     
  6. Selim

    Selim Supporting Member

    Jun 2, 2008
    New York City
    I’ll answer my own question and say, for this bass and player, it’s Dunlops.

    The Sadowskys turned out to an expensive experiment— they were a wacky set of strings at least on this bass. I’ve played flats throughout most of my 35+ playing career, so I know enough to know that flats in particular need time to settle in and work out their kinks, some more than others. But after 4 days with the Sadowskys, I decided to try the Dunlops — what the heck, I can always put the Sadowskys back on.

    Short story shorter, the Dunlops instantly solved all those weird problems the Sadowskys were causing. The B was sounding right, balanced and in tune. So the Dunlops are a winner for me — if they sound, feel and respond this good fresh out of the pack, I can only imagine 2 months when they really start to get groovy.
     
    Last edited: Jun 19, 2019
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  7. Selim

    Selim Supporting Member

    Jun 2, 2008
    New York City
    The Dunlops also fulfill what I was originally looking for and posting about: a replacement for the discontinued Sadowsky black labels. They are way closer to the black labels than the new blue labels. They have that same nice balance of old school and modern articulation/clarity. And as a bonus, they’re lower tension and easier to play than both the new blues and the old black labels.

    I apologize in advance for being redundant if all this has been brought out already in other threads
     
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  8. JimmyM

    JimmyM Supporting Member

    Apr 11, 2005
    Apopka, FL
    Endorsing: Yamaha, Ampeg, Line 6, EMG
    Yep, that was one thing I liked a lot about the Dunlops...they feel good out of the package. No stickiness, nice light but firm feel. A little ringy at first, but they go dead pretty quickly (especially if you rub Eucerin or Aquaphor on them for a couple days) and then they really thump. Only thing I don't like about the ones I have are that they only came in a 45-105 gauge when I got them, and now they do 40-100. Still, they have the tension of most 40-100 sets so that helps. Gonna have to spring for a set, though. I need my wuss gauges when I can get them.
     
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  9. ljazz

    ljazz

    Dec 10, 2002
    Cookeville, TN
    Too bad..... You should have given the Sadowsky Blues a bit more time to break in. If you go back to the beginning of the other thread you posted in, you'll see I was extremely disappointed with them out of the pack. However, the extreme highs and lows tamed, and left the strings with a nice, wide, punchy, singing midrange focus. I bought a set of the Dunlaps shortly after getting the Blues. They wore in and are much thumpier than the Blues. That's cool for a lot of stuff, but the mids in the Blues are sweet.
     
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  10. babaseen

    babaseen Supporting Member

    Apr 15, 2001
    Boston, MA
    I had the same experience. I changed the Blues out for the Dunlops, but the Dunlops reminded me of EB Cobalts tonewise (I gave the Dunlops about a month, maybe not enough time) but the Sadowsky's have a playablity/feel and "sweetness" of tone that I love. They are back on to stay (yeah right)

    IMHO I might add that the bass has a lot to do with which strings work/match...I'm using these on a MIJ Precision
     
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