would the SD 1/4bers for a jazz sound the same as for a P. i love the sound u can get from them on a P but i have a jazz and wanna know if i can get the same sound...thanks
bassplayer mag didnt like them too much. they did say that they rule the studio though... they're probably good I guess but Ive never tried them.
ive played a pbass with a 1/4pounder in it. i thought it was pretty nice, i dont know if it would give you the j pup sound but still a nice pickup. well thats all my experience with them ....
They wont sound just like a P, because the P pup reads a bigger "window" of string vibration. The 1/4 is like a junkyard dawg, mean and snarling. Put them in , install some Warwick Black Label strings, and you'll have a wicked punk machine.
Duff, The Jazz QP's are much the same as the P-bass QP in output and tone EQ. Lots of output and a scooped EQ with a lot of high end emphasis. Having said that, a Jazz is not a P and one will never sound like the other. Thr basic PUP's are designed the the same though. As was said above, they are good studio PUP's.
Because of their high output I would get them as a set. They will blow a stock PUP away completly in the output department. Besides, with the large pole pieces in the QP, they look funny when matched with a standard polepiece pickup. (Actually it makes the standard PUP look funny, I think the large poles look cool!!)
This may not be of much help to you. But, I've got a SD 1/4# Jazz bridge pup in the brige position on my AmStd P-Bass. Yes, I hot-rodded it. I liked the bass and wanted a hot-rod P, couldn't see buying another bass, so..... Anyway, I've found that the bridge pup solo'ed has a very nice edge to it. When I team it up with the P pup, it makes the P Thump a little angrier. And, since I put a switch in, when I don't want the bridge pup in at all, I can switch it out. The 1/4# bridge is a nice, growly, edgy, pup that offers me a nice compromise to the P pup.