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Shifting Issue on Lower Strings

Discussion in 'Jazz Technique [DB]' started by Coopa33, May 11, 2019.


  1. Coopa33

    Coopa33

    Feb 4, 2017
    Hi, I'm a conservatory student in the Netherlands and I've recently switched from electric to upright and I am starting to really appreciate and devote myself to this instrument. I was hoping some of you guys in this forum here might help me:
    I had the problem for a long time that shifting on the E and occasionally the A string is very hard to do and causes a lot of friction. This tenses up my hand which makes my whole technique fall apart especially when I play a F# and B Scale where you have to shift from half to first position with your index. This is extremely frustrating as I can play and shift fluidly and relaxed with most other scales and appreggios, but whenever it requires said shift I tense up and my left hand tires. My teacher keeps saying that it is a matter of developing the necessary muscles but I don't really see how that helps reduce the friction between my fingerpads and the string, and I've been practicing for hours weekdays for the past half year (specifically said scales and Appreggios), to the point that I have permanent grooves and some pain on my fingertips that seem to bite through my callouses on my left hand. This issue still remains a problem in my technique and hasn't improved since.
    Btw I'm not talking about friction between thumb (which I try to keep as relaxed as possible but tenses up once I fail to execute the shift cleanly) and the back of the neck but between my fingertip and the string itself. The double basses in the conservatory have pretty low string height (compared to the one at the local venue) so I don't think it's that. Another thing is that my hands are quite dry, to the point that I need to use moisturiser so maybe that somehow prevents me from shifting properly? Or is it as my teacher says and I just have to bear through it until my hands get used to the shift?

    Thanks in advance, I know this is a very specific question/problem but I hope some of you guys know what I mean and can help me with this problem...
     
  2. GutJazz

    GutJazz

    Mar 5, 2019
    Roma - Italy
    Unless I don't have to play slides, or portamento, I release left hand tension during shifts, thus no friction (if I understand your problem)
     
    Coopa33 likes this.
  3. Coopa33

    Coopa33

    Feb 4, 2017
    Thanks for the reply! So you’re saying you’re lifting, for example, your index finger while shifting from a F (Estring) to F# or G? Because my teacher taught me that I have to sustain the note and not have any breaks in between when going from one note to another, which means I have to press down while shifting from F to F#, right?
     
  4. mdcbass

    mdcbass Supporting Member

    Feb 6, 2005
    Seacoast of NH
    Michal Herman and GutJazz like this.
  5. GutJazz

    GutJazz

    Mar 5, 2019
    Roma - Italy
    If you keep pressure while moving from one to another note on the same string you obtain a slide, or portamento, that is a gradual increase of pitch (like a trombone). To avoid this you have to move very fast and, for an inaudible, very short time lapse, release the tension of right hand finger. If your teacher told you to keep the pressure he surely has got his own good reason, that I obviously can't debate here :)
     
  6. Seanto

    Seanto

    Dec 29, 2005
    USA
    This type of problem is best diagnosed in person because there could be many variables at play. Keep working with a teacher on this issue. It does kind of sound like you are very tense when playing those lower strings. Make sure you are exerting just enough pressure to stop the string and no more and keep a relaxed hand as much as possible.

    Also make sure your bass is well setup for ease of play, this can make all the difference in the world. Ensure you are practicing with the bow, which tends to weed out bad form in the left hand. If i don't play with the bow for too long my left hand goes to poopie. If you play standing, also try playing sitting down to see if that makes any difference in your left hand comfort. If you are feeling tension/pain, stop playing and re-evaluate your left hand habits.
     
    GutJazz and Tom Lane like this.

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