Hi all in reviewing Simandl's book 1, I only found 1 reference to arpeggio exercises, broken chords on page 112. Is this because in Simandl's approach to DB, arpeggios are not seen as a big part of his teaching OR that the book could only fit so much (other) material anyway ? Is there more on arpeggios in book 2, perhaps? In many ways, the Simandl exercises seem to be designed to you can "hear" when a note doesn't sound right, maybe this is used in lieu of arpeggios? Thanks for reading!