I've just ordered myself a set of SPB-2 as an upgrade from the SPB-1 I'm wanting a little more output so figured this would be a logical move up, I didn't want to go for the Dimarzio DP122's because they lacked a little bottom end but figure there simular sounding. Now reading some threads ppl have been saying that the SPB-2 is too boomy, I'm thinking boomy is an EQ problem. Are they really that boomy?
For my tastes, the SPB-2 was a little too boomy, but it was perhaps more about balance, i.e., the combination of reduced treble with super-phat low mids. Some of this definitely could have been addressed with EQ, but I was happier with the Lindy Fralin that came next. I still think the SPB-2 is an excellent pickup overall, because it provides a really thick version of vintage tone. It just wasn't my thing for my band at that time, in which a Jazz worked better anyway.
I had a SPB-2 in a Warmoth PJ bass for several years (with a STK-J2 in bridge). I later changed to a SPB-1. I feel it balances better with the STK-J2, and gives a more vintage tone with more "nuance". I also have 500k volume pots and TBX tone. The SPB-2 sounds great, but it is a bit thick sounding for the material I usually play (contemporary jazz, old school r&b, gospel, pop). I can still get more deep punch from my amp EQ if I need it. The SPB-2 would be great for rock or anything else with deep steady driving bass work, etc. (IMO). Check it out and let us know what you think. Best wishes!
I have the SPB-2 in 6 different P-J basses, and I don't find them boomy at all. They have a nice midrange hump. The quarter pounders are the boomy ones IME. If you are looking to kick up the SPB-1 a notch, I think it is the way to go. Same applies to the jazz pickups.
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