Hey, I know there's a number of threads that prance around this topic, but I'm reading a lot of things that seem confusing and contradicting, so I wanna see who can give me a straighter answer So, for the past many years, I've been obsessed with getting exactly Steve Harris' bass tone, and I still am, for the most part. I've been playing with an extremely "klanky" tone, which I love. But, recently, I've decided that I want to experiment with a really growly tone tone for a while, and also, its really expensive to buy $55 rotosound steve harris signature flatwounds evert few weeks....I can't afford it any longer. I've never really tried to get a "growly" tone before, but I know that incredibly heavy gauge flatwounds (steve harris sigs) are probably the opposite of what one would use to get a growly tone... So, here's what I want to find out: -What are the growliest strings out there? -What are the growliest CHEAP strings out there? -Is it possibly to get a really growly tone with out sacrificing all my beloved Steve Harris Klank? -Is it possible to get a growly tone with thicker gauge strings? BTW, I play fingerstyle on a P-bass with s.d. quarter pounders, if that helps. Thanks a lot!
well, thats the thing about steve harris flats. You're using a flatwound string to get an extremely bright tone, so you have to change them really often. People only keep flats on indefinitely if they're trying to get a really dead (or "upright bass") kind of tone, because then it doesn't matter if the strings go dead. Sometimes I leave the steve harris sigs on for a really long time when I run out of money to replace 'em, and they don't sound growly or klanky at ALL after a while, thats for sure
what setup are you playing thru? Have you tried recording yourself with the not-so fresh harris flats and play it back and see how it sounds? monitoring yourself playing vs recording yourself and playing it back can sound completly different, I ran the harris flats on my p, and thought it sounded awsome, nice clanky tone, until i played myself back and it was all noise and clank, but not much bottom or fundemental. record yourself when they are fresh and when they break in, you might like what you hear with the latter, I know i did, Yes broken in flats can still be agressive and cutting for heavy rock. i dont know if im making much sense, i hope you can comprehend what im saying, Im heavily medicated on narcs for a BADD toothache.
I can't believe anyone would even consider paying full retail price for a set of strings. This is but one example of a place to get them cheaper: http://cgi.ebay.com/ROTOSOUND-STEVE...ryZ41432QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
also, Rotosound emailed me back and said that the harris strings are the same as the regular 50-110 flats, except for the silk color and packaging. I quit using the harris flats, too much tensioni went to the 45-105 set, the same great strings and tone, but less hell on the neck as far as tension goes.
Flatwounds can and do growl when played on the right type of bass. A properly setup jazzbass with flatwounds has a nasty growly tone. With a precision I would use RS66's and put a little bit of overdrive in the signal. Since your using the SD 1/4's I would adjust them down away from the string and mellow out a bit of the signal as well. Those big magnets dampen out the strings vibration energy a bit faster. Play a bit closer to the bridge to bring out some of the top end sizzle as well. I used the SD 1/4 for awhile on my P. I came to not like the tone from them. I found I much preferred the original Fender pickup, because of the articulation that it offered over the sledgehammer attributes of the SD.
I've read the main reason Harris uses flats as to not destroy his fingers. When playing that much each night on tour, it tends to do a job on your fingers, no matter what kinds of callouses have built up. He has the luxury of being able to play with new strings daily so he can maintain a bright tone. If you want decent cheap and growly, check out DaDarrio rounds.
+1 I used the Harris sigs for 2 and a half years on my Schecter Model Ts. Had to do a major truss rod adjustment when I put them on and another one when I took them off. And I find I get a better Harris clank without the flatwounds. I have one last package of them left that I guess will stay unused...
+1 on the D'Addario Chromes. I use them on my J bass and I get a very good Steve Harris tone that way and the Chromes are cheap and last awhile. That being said...I could coax the same sound out of D'Addario XL nickel roundwounds too...and they are cheap as hell.
Nope, Wanda uses the Steve Harris flats. Notice the blue silk.. I tried a set of Chromes and they may do OK. The clank comes more from Steve's right hand attack than his string choice. Jim
+1. You can get the clank from attack and EQ...hence why I'm able to get it from both Chromes and XL nickels (and even Ernie Ball SS rounds as well).
the clank is from the attack and setup NOT the strings, you can get any strings to clank, just drop the action LOW and set the neck up to 99.9999% flat relief, this means cranking and cranking the truss rod for the harris flats becuase of the tension.. When your tuning up the strings should be completley choked out becuase of the negative releif, then when you tune up the tension brings the neck into relief. now clank away harris style.
Perhaps but it has been a long time. IIRC D'Addario do not have the red silk on the ball ends. I'm sure someone can confirm this easy enough. I guarantee you Wanda is running the Steve Harris strings though since they have an endorsement with Rotosound. Jim