One of the things I love about this forum is our open minded approach to designing and building instruments of all sorts. I also love people's sense of humour. So, I thought it would be fun to have a laugh at ourselves and our hobbie/industry. To all the trolls, purists and white knuckle bandits, take a breath before you react. This post is just for fun! With that said, I'd love to know your favorite tone myth. I say myth, because why a lot of us know there's some contribution from lots of parts, we all tend to get hung up on various design or contruction features. VOTE for your favorite myth! I've provided lots of options, but if you think I've missed one, post it so we can laugh more at ourselves. Again, let me stress. This is just for fun. Trolls, feel free to have your posts removed by the friendly mods. Let the fun begin!
[√] Carrot basses have Organic tone* *unless they are non-organic carrots which have a plastic tone quite different than composite basses.
My favorite tone myth is one that I made up one day back in the '90s when I was hanging out at a friend's guitar shop. Some kid came in, not one of the regulars, and somehow I got into a conversation with him talking about vintage instruments. The devil got into me, and I said, "you know, people spend thousands to get the right vintage guitar, and thousands more on a vintage amp, but they're ignoring a critical missing link." His eyes lit up, hungry for the secret I was about to bestow upon him. "What is it?" "A curly cord. Don't forget that Hendrix and all the other greats from the sixties used a curly cord." He was hanging on my every word, so I laid it on thick. "Just like a spin keeps a bullet aligned in flight, and makes a football fly straight, a curly cord puts a spin on the signal and keeps the signal aligned." I figured there was no way he was going to buy that story, but he swallowed it hook, line, and sinker. I've been waiting ever since for the story to circle back around to me. So there you have my vote--a curly cord gets that vintage tone. (And actually, there is a smidgen of truth to that, but it has nothing to do with putting a spin on the signal of course. A curly cord can act as a tone control, attenuating some frequencies.)
The myriad possibilities and combinations means you will not have to "atone" for anything. In all seriousness there are a few physics based truths that seem to be manipulated to try to justify individual theories. Do your research (re: sound wave propagation and sound wave refraction) before believing things you are being told. Materials choices and physical design will impact overall resonance and attenuate certain centre frequencies in minute to more noticeable levels and color what is available for any transducer (magnetic, piezo, light, etc) to sense.
So many dependencies, most of which make insignificant differences in tone. That said, I agree on the fretboard for a fretless and an onboard preamp may not give you more "tone", but it certainly gives you more tonal possibilities controllable from the instrument.
I think my favorite is, "Nitrocellulose lacquer lets the wood breathe." Umm.. if your wood is breathing you got bigger issues than what kind of finish is on top of it.
So let me get this right. You're saying ALL the options are myths? How the heck do you guys build anything at all?