Unwanted harmonics continue after releasing a note, help!

It's all about the finger position you use for muting (left hand) - if you're near one of the harmonic points, your going to have overtones still ringing. Figure out where the harmonics are and then use dead spots for muting. After a while it gets more automatic (though I still occasionally do that even after 45+ years of playing - I try to chalk it up to "I meant to do that, really", usually).

 

Make sure you are muting ALL the strings, not just the string you are playing. For example if you play E at the 7th fret of the A string, it will cause a ringing E harmonic on the E string, unless you mute that adjacent string too.

 

^ Yeah for example are you only anchored to the pickup the whole time? Do you only use one figure to mute a string or more?

 

Our beast does growl. We have to mute it some way. Which way is kinda left up to you. Google will call up all kinds of information on muting for you.

I use flat wound strings and foam rubber under the strings at the bridge. Doing that gives me a sound I like and also doing that, just by itself, takes care of most of my muting. I use my thumb or a pick to sound the strings so palm mute takes care of what little more is needed.


Good luck.

 

You are on the right track, that muting is a joint effort between the right and left hands. bholder has some good advice, about experimenting with different placement to know where the harmonics are and the dead spots.

 

Try not resting it on anything. Instead..."float" it, as in the "Floating Thumb Technique".

 

As @bholder states, I am guessing that the muting hand is holding down the string at a harmonic interval (fifth, octave, etc.) - that is why it is worse on certain frets.

 

Try touching the E string simultaneously in two different places, for example with your right-hand thumb and one of your left-hand fingers, and make sure you aren't touching at a harmonic "node."

And be patient with yourself. Muting is an important concept! Even with the best teachers, it is not something that can be mastered in a few days. Good luck!

 

I think your on the right track. Where you're playing on the strings could have something to do with it. A little closer to the neck may fix it. Or tweak the EQ by reducing the High a little, may also help. If nothing works, try out that scrunchy on the nut trick. Or a combination of all 3. That should take out some of the harmonics.

 

Yes, it is perfectly "ok" to be patient with your learning and forgiving of tiny flaws. Someday, years from now, your muting technique will be impeccable, and your bass won't make any sounds unless you specifically want it to. Until then, if the harmonics are so minor you can't hear them in a band context, then I'd say you are definitely on the right track and above-average in your abilities. Keep paying attention to muting, and practicing the exercises that your teacher gives you, and you'll be a muting expert someday. You've only been at it a few short weeks, so be patient.

 

My two cents. I started playing 25 years ago. I started fast and got right into bands. My ear isn't so precise that I noticed the ringing you're talking about. It wasn't until years later that I noticed. I still have sometimes. You have to slow down your playing enough to 1) hear everywhere and every time it happens and 2) force, (or "let" would be a better word since this is about relaxation) your fretting hand adjust itself to mute sufficiently. In no time your subconscious will make the adjustments a habit but you have to do this slowly.

Again, slow down. I never believed it but it's true for almost any deep knowledge/skill development. Do everything way slower than you "can" sometimes but do it perfectly to develop/maintain good habits.

Good luck.

 

Yes. This reminds me that if you can learn for your plucking hand the techniques of floating thumb or movable anchor, these can GREATLY help with muting. You can also create harmonics so, as usual, go slow, listen and adjust. Again. Again....