These were my go to basses in the late early 2000s. I don’t think I ever truly appreciated how good they were. I will never forget when Dan Lakin told me to my face that he created the Skyline series to combat Peavey poaching sales from him.
I had one of those for a short while, and just thought I loved it . It felt great, it sounded great in the house, I loved the variable mid control - and then I just couldn't dial in a thick rich tone I liked in a band mix. Just my experience. I was also playing a Bongo at the time, so that might have had something to do with it.
The downside of variable midrange preamps is that they can offer too many options. I know it has taken me a while to become efficient at dialing in my Sire V7.
Agreed. I also had a Sire and got rid of that. At one time I thought it was an awesome thing. It's real difficult however to dial the same exact tone in, twice. The longer I play, the simpler I like things.
I have an American Geddy Lee Jazz on the world’s longest layaway, and I was playing it at the shop, and was struck how easy it was to dial in killer tones on this passive bass. If a bass is well made with good pickups and pots, passive goes a long ways.
I own $$$$$$ botiques... gig hard a conklin. I've actually had a house fire... my Black Onyx standard Millenium 5 was the one I brought out. When the Neck is properly shimmed, it easily competes with anything I've ever played...
I owned my Millenniums at a time when I was really swayed by what was the current Talkbass common sense. At that time, there was the prevalent attitude that closer string spacing was no good and Millenniums are 17mm at the bridge. I also really loved how the bridge humbucker could be split on Lakeland’s, but not on the Millennium. In the end, Millennium is a nice bass that worked fine for what I did, but I was chasing the bass I did not have.