...about this finish with a pink ivorywood or maybe a snakewood fretboard without inlays? Maybe gold hardware? In case you're wondering I'm trying to get ideas for my next Conklin.. It will probably be another hollowbody.
Here are the specs Im thinking about.. 7 String (Low B to high F) Sidewinder body style Bolt-on Neck Hollow Body 34" Scale Gold Hardware Wenge / Purpleheart Neck Dragonwood body Transparent White Finish Conklin Signature Pickups Piezo Bridge 24 frets Maple fingerboard Hipshot Ultra-light Tuners No Inlay Aguilar 3 band preamp
It depends on the top wood, I wouldn't put that finish on a spectacular topwood. If it will be on an ash, than I'd go with snakewood over pink ivory, because the ivory plus see through white might be a little to light for my eyes. Gold hardware would look nice though with that shade.
I love the transparent white "Mary Kay" finish. It works really nicely over swamp ash, but I have not idea what Dragonwood looks like. Personally, I'd go for pink ivory with this finish, because Snakewood would look to "woody", if that makes sense. And I like chrome or black better than gold hardware, but that's just me. Mike
OK--it's a lot like alder visually, nothing particularly special to look at. The transparent white would do fine over that, too. Mike
Personally id take the snake wood, but thats just cause im really into crazy grains on your fretboard. If you want to be more subtle, go for the pink. But i would definitely say add the gold hardware cause it adds soooo much on that beautiful white stain youre using (im a sucker for that white on swamp ash look). Peace.
I did a search over google about dragonwood but can't find the latin name for it. Did Bill give you another name for dragonwood??? Is it really lighter the alder or limba? Peace, JP
The snakewood board should be great, IMO. Why Conklins have that weird slope behind the neck joint? What was the design intent? Doesn't it get in the way of high-register playing?
Well, this one is a hollowbody, so it's probably more exaggerated than a regular solidbody.. Here's one of the solid bodies.. You can see that it's more gradual..
But what I meant is that he probably could have cut it right there... ...and I don't think that the structure of the instrument would have been affected. So I suppose the slope is purely aesthetical?!?
The slope on the bolt-ons is here to reproduce the feel of a neck-through. this is just a smoother tansition from neck to body than other bolt-on joints. Peace, JP
OK... But the joint must be a bit beefier than a real neck-thru, though... But I guess some bassists don't like to hit a neck heel with their thumb.