Assuming that you don't playing with your thumbs like some people do... Anyhow, I'm curious as to whether a lot of you keep your thumbs perched on the pickups/ramp/thumbrest all the time or if you move up and down and use the string above the one you're playing on. Now as a bassist of less than 2 years, and I play in a modern hard rock band which isn't the most complicated bass style, even though I do what I can to make them sound nice. When I play fingerstyle I always tend to keep my thumb on the pickup the entire time and just reach farther. It hasn't seemed to slow me down at all but like I said,t he stuff I play in my band isn't that hard. I also use a pick 3/4 of the time anyways. But I would eventually like to progress and learn some other styles like Jazz eventually and I'm trying to train myself the best way possible rather than try and change it later.
If i'm playing the E-string. It floats If i'm playing the A-String. It's on the E If i'm playing the D-string, it's on the A If i'm playing the G-string, It's on the D Mark
Either on my bridge pickup, neck pickup, neck heel or E string, depending on what kind of tone I'm looking for.
I use all of the ways mentioned above. I have one bass with a thumbrest in between the pickups and that gives me more choices. On that bass I mostly play over the fingerboard (thumb on the FB), though. I general, I guess my thumb spends most of the time on the correspondingly lower string. Like what James and Geddy said.
If i'm playing the B-string. It floats (rests on the bass' body) If i'm playing the E-String. It's on the B If i'm playing the A-String. It's on the E If i'm playing the D-string, it's on the A If i'm playing the G-string, It's on the A This is the best approach for me. When I play the G string having my thumb on the A, three things happen: - My index or middle fingers rest on the D string - My thumbtip rests on the A string - The back of my thumb mutes the E string So I'm killing three birds with one shot. Maybe I've put my thumb on the D string, but just in rare or special situations which I can't recall right now.
I like to rest my thumb on the above string that iam playing, I find that it gives me a NICE clean tone. Sometimes though, I just rest it on the E string and play down, then when I play E it floats. I find though, that if i don't move it down with me, sometimes my fingers come up and hit the above strings, giving me a muffled note. WHICH I DO NOT LIKE, it sort of PISSES me off.
BTW, I've seen that John Patitucci never moves his thumb from his six stringer's low B (or maybe the body of the instrument). I guess he uses his ring and pinky to mute the strings, but it seems an extremely awkward style of playing, specially on a six-string. Every time I see him play, I feel like itching. He gives the impression of not having control over his instrument's sympathetic ringing (of course he has, but anyway...).
It always rests on the next sitting down from what I'm playing on. On the E, it floats. Otherwise, I'm slapping, popping and tapping til the cows come home.
I find it easier to play using a thumb rest. I use the string below the one I'm playing to stop the motion of my fingers after plucking. I've noticed on basses without a thumb rest that my fingers "over-travel" after plucking the lowest string, while a thumb rest stops this, and I don't play with a heavy touch. This seems to make for more consistant plucking technique for me at least. I play six-string and notice that my thumb floats from the thumb rest to the B string. I never thought about this until I read this thread and went and watched what my thumb was doing.
On the neck side of the neck pickup. On a four-string: It touches the neck pickup and sits on top of the E string, muting that string when I'm not playing it. When a play a note or notes on the E, it slides up to the corner of the pickup. And when I get off that string for any amount of time, it slides back down to mute the E again. On a fiver: Same as above, but on the B string. During long periods of not playing the B string, my thumb often goes between the B and E strings, muting both, still against the neck p'up. When in that position, I can easily pull it up a bit to un-mute the E. I'm still working on getting it out of there quickly and smoothly when I need to get on the B string and back off it again. This one isn't my bass, but you gotta love the shirt
I rest my thumb on the pickup nearest to the neck, but if im trying to get a sort of jaco tone, id move it to the bridge or a clanky loose sound (bit like geezer butler) id move it onto the end of the side of the neck.
I'd say this is just about the most comfortable and relaxed thumb postition, and if you think about it, it's perfectly plausible. Say you're pointing at someone and telling them to come over. Your finger doesn't move that fast, but if you're like, saying bye to someone, crushing something in your palm or making a fist, the action of your fingers is much faster. This could vary from person to person, but in my experience, laying my thumb across the strings like that lets me play alot faster than having my thumb on the pickup and having my fingers stretched across the strings.
I rest it on pickups. I wish I could comfortably float it or rest it on strings, but I'm already used to keeping it on the top of the pickups. I have bad technique (both left and right hand), I'm sorry.
For me, I usually rest my thumb on the rear pickup, somtimes between the pickup and string on the front side (nearest the neck). For me, I find that moving up and down between the bridge and the neck, while providing different sounds, makes the strings too "floppy" for me personally. A lot of guys move their fingers to various places, and that's cool. I like having an anchor and staying there. Interestingly enough, on my Rick 4001, I put my thumb inside the "horseshoe" and rest it on the pickup. When I use a pick, I tend to be closer to the bridge. Here's me playing my '05 Jazz Deluxe which pretty much illustrates my thumb placement.
Mine floats between the A, E, and on top of the bridge pickup (in my case, the only pickup, MM, on both of my basses). Usually it is on the E string, it is on the pickup when i play the E stirng, and when im noodling around up high it bounces between A and E.
My bridge pickup. I play really really really aggressive and it's the only place where I can play fast enough (the strings flop around everywhere else.)
I used to have thumbrests on all my basses, but didn't put one on my newest bass. It took me a few practices to get used to it, but now I love the freedom. I have removed the thumbrest from my backup bass. I now rest the thumb against the pickguard. The newest bass has a 4 ply pickguard which helps.
Well today i started 'floating' and so far, it's given me alot more speed on some of the thing si struggled on, but its alot diffrent than anchoring on the neck p/u, i like it though