Hey everybody. I’ve been having an issue lately figuring out what kind of modulation I want to get for the future. I use tremolo and phase a lot, but I would like to have external control over the tremolo speed. As well, I’m looking for a specific phase tone with really high resonance and depth but slow speed. I was also thinking of adding a chorus down the line, like the Rainbow Machine, as well as something that can help me do granular/stutter stuff like a Red Panda Tensor or Particle. Should I be looking at multiple effects pedals, or should I spring for something like ZOIA that can do a lot of these effects well on its own?
The ZOIA is amazing and is so very tempting but takes a lot of commitment to master and use, much more than the common deep pedals. I looked hard but it is the greener geek field just too far beyond for me. But then so many of those pedals are beyond me needs I am happy with the C4 and MS60B and all my other goodies for now.
I don’t mind putting the time in to learn it, I’m wanting to know if it can do the things I’m asking about mainly
I've been long GASing for a Zoia. The thing that is holding me back is that Zoia seems all encompassing if you want to get the value out of it, and if you do that, then it's actually a steal of a price. I have so many other deep pedals and things I'd like to invest more time in so I've shied away from Zoia. If you are bored during the pandemic, Zoia is probably the cure. If you are up for the challenge, go for the Zoia.
I guess you could say I’m still new to modulation? I’m really familiar with different types of mod sounds but I only own a boss phase and a dr scientist tremolessence, so I’m trying to determine how best to spend. I have some really specific sounds in my head for modulation and I’m starting to think ZOIA would be the most cost effective and pedalboard friendly way to get them
Cost effective, yes it is. The patch storage library is growing well and you could find starting points for the sounds in your head. For the most part you will get to the sounds you want, but some may fall a bit short, but still really close. About the learning - and this is not to scare you away, just what it is. If you are an effects beginner and you itch to know how effects sound the way they do, but don't know the roots of how they can to be, it may feel daunting. If you know how a flanger or phaser works at the lower levels, it may be easy for you the pick up. I bought mine from and have seen many sold because the previous owner was not ready for learning the curve related to this knowledge. As far as how to use the actual unit, it's really easy. Most of the patches online have decent documentation, and transfering files is simple. Really, if you have sounds in your head and haven't found them, this will save you ooodles in flipping pedals. Learning the roots of pedals is pretty easy as well, there's lots of resources on line. Even the Zoia community is very helpful when it comes to building patches.
I’m an audio student, so I’m getting there in learning the roots of different effects! I know that a chorus is an lfo modded flange and that a flange is a type of delay, but I still feel like there’s a lot to learn. As I said before, I’m completely willing to sit down with it for a few days and work on learning how to create patches from the ground up
Not sure why I didn’t see this thread update sooner. The real question is about your personality type. The Zoia becomes its own instrument and can chew up as much of your day as practicing should. If you like building your own sounds, and you’re disciplined about noting what you’re doing and how and where you save your patches, the Zoia can be a dream. It helps if you have a good understanding of how effects work at an elemental level, and if you understand modular synth functions, and how things like an LFO or ADSR Envelope will relate to effects parameters. If you aren’t disciplined about notes, and/or don’t want to spend time doing a deep dive and dealing with the learning curve, then a pre-structured pedal can be worth the price tag of paying the designer for their understanding and formatting efforts. I’m a day-job guy and playing is my hobby. Some days I don’t want to build or troubleshoot effects. I just want to plug in and get a sound. The effects themselves aren’t particularly inspiring if you want vintage mojo or analog fatness or some other similar characteristic. The effects are fine, digital effects. The chorus is a chorus, but it isn’t some boutique specialty chorus. If you want the boutique effect you need to know how to program your way there, or you’ll be happier with just buying the boutique effect. Also, if you’re a pedal collector, then one universal pedal is never enough. For as much stuff as my Zoia can do, it’s not my most used pedal. I’ve also used it as much for the midi control functions as the effects. It’s a good utility pedal, which isn’t sexy, but it is useful. The distortions on it aren’t great on bass, but can be tweaked to be useable. The cab sims are guitar based, with no bass sim. The delays don’t have tails when stomping the bypass, but there are work arounds to get tails. There are plenty of guys on the FB group making the Zoia sing. It’s got lots of potential. I bought it when it first came out and I’m still holding it, even if it’s not my favorite box. If you’re looking for a toolbox to build stuff, it is wonderful. If you’re thinking it’s near the top of your budget but it could be a silver bullet, it is a gamble.
I kinda hate the library. Nobody patches the way I do, so if I want to modify their default patch settings then it can be a headache to understand how to modify it. But I can see how it is useful, and people learn by sharing ideas.
Thank you! You’ve pretty much answered all the questions I had about it I’m mainly looking for an all in one stop for modulation, as much as I’d like to buy a bunch of separate analog modulation pedals, I really don’t mind having a digital multi effect for those purposes. Plus the added benefit of being able to fine tune parameters is really nice, I can get past the effects sounding a little bland because I know that there’s so much that can be done to make them unique. I initially started looking into ZOIA to take up the space of a delay, trem, phase, and chorus; everything I want out of it is there plus extra utility and tweakability. I can’t wait to start getting into ambient synth patches once I’ve parsed out the more “normal” sounding effects I have in mind!
Depending on how you intend to use it, there’s a desktop version in the works. Built in power supply. CV and MIDI connections. Headphone connection. You'd need a remote way of triggering it on/off if you wanted to use it as a pedal. For more studio based work and midi connected rigs it could be a nicer option. Still no official plans for a browser interface. It’d be nice to patch on a computer, but it isn’t necessary once you get the workflow figured.
I’ve given that one some looking into, but I’m a lot more comfortable with a pedalboard platform than a modular one. I have no experience with keyboards or modular gear, but I’m interested in those mini MS-20s!
Nice. Well, consider an expression pedal as part of your budget. It’s a nice companion. It helps make up for the lack of “knob per function” design. Don’t overlook the fact that you can midi control other gear, though my may need a midi hub/splitter. You can also get creative with splitting signals between the outputs, or using one set of in/out jacks as an effects loop for external gear.
I didn’t even know ZOIA could do expression, but I guess I should’ve known Thanks for that advice, expression effects are interesting to me. I was thinking of using the effects loop function in tandem with a density hulk to get some interesting octave sounds. Also, the guitarist Nick Reinhart uses a lot of expression controlled effects that I think sound pretty interesting, I’ll probably find myself trying to program those in as well. I saw the band Wand live in January and they did a tremolo speed modulation at the end of one of their songs, got me really hooked on modulation for my own music! I’m really happy that something as all encompassing as ZOIA exists, it’s a lot like having the effects banks from a DAW at your feet
It really is. There’s a 212 cab sim that works pretty nicely on bass, particularly if you create a LPF blend for the lows. The Scoopy distortion/fuzz isn’t bad. The compressor is very transparent. The Granular module really benefits from the expression pedal. For modulation, you can do tap tempo but there’s no internal clock for setting BPM (it has been asked for). You can use a square wave LFO to function as a clock. There are also clock dividers for timing your modulation to a source tempo. You can run a midi clock in from an external source. Like I mentioned earlier, take notes and diagram what you want before you patch it. It’ll make for a more efficient patching session. Having the idea only in your head can make it easy to get lost building effects.