Has anyone ever tried playing this bass line and noticed that you have to pull the "F" about halfway to get "F" plus 50 cents to get it right ? It happens for me on both the E and the A string when F is played. I thought at first it was a tuning artifact during recording or something else but it really seems like John is playing midway between the "F" and F" Sharp. All the other notes are fine for me - Just that F note. The other instruments aren't playing the same notes during that section - it's just the bass line. I've listened to a number of recordings and my own CD of it and they are all the same. I simply pull that F to get it right in both places and it sounds fine. I'd welcome anyone's thoughts on it as I've never really heard any other songs that have that in it.
I "see" the whole song as being about 65 cents sharp on my "Transcribe!" program. Songs from that era are often mastered at a different speed than they were recorded at.
I usually pitch shift songs back to A440 so I can play along with them without retuning. i just had to do: Burnin' Sky - Bad Company (+25 cents)
Hmm - I don't think it is though. All the other notes are fine. I do agree that that one note could be 65 c higher, but all the others I think are on the money. Here is a screenshot of them playing it live where he is just playing the F# - But on the Album, that note is slightly lower, being (to me anyway), F +50c. I'd love anyone to grab a bass and try that note to match it.
Yeah - I have to do that with a few Beatles tunes and some VH songs. I believe with the Beatles they did speed a few things up, but with the VH tracks, I think Michael just used to tune to Eddys guitar ! A few others I've had to retune are - Our Lips Are Sealed by The Go-Go's and The Boys are Back in Town.
50 cents - a half tone (one fret) is 100 cents, a whole tone (two frets) is 200 cents. As I mentioned above I measured it as being about 65 cents sharp using the spectrum analyzer in the "Transcribe!" program. I share my pitch shifted songs with the rest of the band(s) - it makes it much more likely that they will learn them right too. I wish I could share with youse guys but 'taint legal . I do mostly rehearse with my Tascam MP-BT1 which can pitch shift and loop sections - but find it quicker to just have all the songs already in the key we play them in so I can jump from one to the next without lots of button pushing . Another common "out of tune" song is "Mustang Sally" which is 20 cents out - might explain why it is both one of the most hated AND butchered song. I love playing it with competent guitarists who have actually learned the two guitar lines and a vocalist who doesn't try to cut the first verse short. I should start a topic about the most butchered "open mic" and "jam" songs LOL. I so hate open mics / jams - being in 5 or 7 bands I don't have to lower myself to those to get my "fixes" .
Okies - I'll try and shift it down 65 cents and see how we go. I also shift out of pitch songs down for the other band members. It's really odd but I just played it against the original and all the bass notes are perfect while I'm playing it - Except that odd F (plus) note. I even made absolutely certain my bass was tuned using a digital tuner at bang on 440.. I'll see what it sounds like a bit lower. I did notice on the studio version that the other instruments don't appear to play that note - namely the guitar and keys seem to play something different.