Victor's breakdown of the idea into concise elements lays out practical skills to pursue, imho
(Here is what I've noticed over the years.)
Those
extraordinary musicians with their
superb technique skills,
usually, don't follow their own advises.

It's really difficult to find any track with Victor Wooten on the bass where we can clearly see, "YES, one could easily hear that "
SPACE" that Victor has been talking about."
And I understand.
Superb technique is like a
competitive addiction. Yes, it's competitive, but addiction - just go faster and faster.
We (even as the beginners) all tend to suffer from that kind of addiction - nothing new under the Sun.
And it attracts a lot of views and fans.
I have
NOTHING against Super Technique - I wish I had it more, but...

Musicians must be careful not to overwhelm the Artistry and Musicianship by overloading it with that superb technique, but who cares - it looks so good on Youtube.
Another very important (
from my perspective) point about groove that is missing in that "groove periodic table."
The bass is creating GROOVE
in and with the Rhythmic section, with other instruments participating in that groove.
Here is a nice track, "King of the Lobby" from The Brecker Brothers.
The bass on that track could help Victor Wooten's "periodic table" - Lots of Space.