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Ben Lindsey to build my dream Jazz--specs to start, then updates w/ pics & review

Nov 20, 2009
826
2,175
Texas
Specs:
--60-61-style Jazz
--Stacked-knob, vintage caps and standard wiring
--Nitro blonde/Mary Kay (definitely my favorite color--damn variety)
--Swamp Ash body, stained to highlight the grain through the trans MK finish
--"Killer looking" (Ben's description but he's not telling me why/how) nitro-finished, maple, medium "C" neck
--Dark Rosewood slab board with clay dots
--Traditional tort (T-M-B-M) Pickguardian PG dark, red with a lot of character
--Fralin p'ups, slightly overwound
--'60 J-style tuners, hardware and chrome covers
--6130 (I think) frets, same width but a little lower for TI flats
--Aged to played-but-cared-for state (4 or 5 on a 10-scale)

Story:
I have had the bug for about a year--ever since my son (now 12) started getting really serious about guitar. Started gearing up and taking lessons to remove rust, develop actual skill (jury's still out :)), and spending quality time jamming with my boy (the best).

Years ago, I owned a few nice basses: the first was an MIJ Jazz, followed by a beautiful neck-through Alembic, equally sweet early 90s Warwick NT Thumb, and finally a terrific AV Reissue '62 Fender Precision. All good basses--much better than my garage-band playing--with the Fender AVR surprising me by becoming my favorite of that group.

Since that early phase, under the GAS influence, I've had the chance to play many more basses and settle in on what I like best (again, just what I like--YMMV and likely will), which turns out to be Leo Fender designs built, enhanced or finished and set up by others. For me, the must-own include the right P, J and Stingray. (For some reason, never fell for a G&L and don't know why I haven't).

(Please search my other posts if you'd like to see pictures of my EBMM Classic 'Ray or Nash P.)

And, after talking to a few TB'ers, seeing some great pictures of Ben's work, and doing a fair bit of research, I decided to ask Ben ( no business affiliation; just seems like a great guy who does great work) to build the "last" bass I need to "cure" my disease. If there's interest, I'll see if I can get/post some pics of the build & finish process, and will post pics and a review of the finished bass in about 3 weeks.

My son Noah and I can't wait--me because I want to play my J; he because he wants Ben to start working on a special Strat. If the J is as I expect, I'll need a second job but the Strat should get to my kid before summer vacation.
 
A work in progress:
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Expect to have some updates over the weekend. Also, Ben's come up with some unexpected hardware details, which I'm sure will be cool. Stay tuned.
 
Getting there. Saw the finished pieces from Ben. This bass (IMO, of course) is going to be spectacular. Seems as if Ben really and regularly goes above and beyond in taking care of his clients/soon-to-be friends. The finish and aging couldn't be better, and the parts he supplied are the best I've ever seen, including some unexpected gems: '60 correct control-plate screws and detent position indicators for tone knobs, and wonderful vintage caps for tone and treble bleed--to name just a few details.

Unfortunately, I didn't have a chance to get additional pre-assembly/pre-setup pictures before making sure the guy who's handling that for me had all the right stuff. However, with a little luck, I should have the bass in my hands, ready to play and photograph by Thursday.
 
A couple quick pictures of the assembled bass. Wish you could tell from these just how great it looks and feels. For now, here's the takeaway: I am thrilled with this bass, particularly the job Ben did on the spectacular finish and parts selection. I'll probably change the aged white pup covers back to black tonight--Ben suggested that I stick with black from the beginning (he's more of a traditionalist, but he was right in this case). Should be able to post more pictures and a complete review before Monday.

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