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Tips for getting started as a session player

PortraitOfJames

PortraitOfJames

Jan 21, 2007
129
0
37
Emmaus, PA, USA
www.myspace.com
#1
Hey Justin, I know you've worked with numerous artists and groups and was just wondering how one gets gigs as a session musician. I'm currently attending college for peformance on the electric bass. I believe my playing is adequate and would like to make a living performing. The idea of being in a famous rock band is not realistic or appealing to me. I always thought session work would be a perfect fit. I realized it's a very competive line of work and hard to get into, so I was wondering if you had any tips on how to break in and start building a resume. I'm sure you're very busy, so any little bit of advice would be greatly appreciated.

Oh, and congrats on getting the gig with NIN. I know that was awhile ago, but better late then never.

Thanks for your time,
-James
 
#2
I'm not exactly sure how one gets started being a session musician.

Honestly!

Because at this stage of the game, if I was just starting out, I wouldn't be sure exactly what to do.

Here's some things that may help, though:

- I would be a better trained musician than I am, for instance. I'd learn to read better, and have some more advanced harmonic knowledge on tap.

- I WOULD put a band together. Something cool that people want to see. This is a surprisingly valid inroad to session work, and was probably how I ended up doing it. Producers, film composers, other artists, love hiring the "cool guy" who has demonstrated some interesting skills, taste, or a different angle on his instrument.

- I wouldn't hesitate to do things for free when they are valid, or at least on spec.

- I would capitalize on the internet, and offer your services beyond the town you live in.

- Don't ever, ever get pigeonholed into one style. Get flexible, and start now. However:

- Don't try to be all things to all people! I know these two statements sound like an all-out contradiction, but what I'm trying to convey is that there is a line to walk, a balance to achieve, between having a stylistic identity, and transparent flexibility.

Best,
JMJ
 

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