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2x Berg AE112 or 2x HS210s with LMII?

I'm dreaming a little here as I'm pushing the concept of 'budget' out the door, but which pair would you have to go with a MarkBass Little Mark II?

I play a Peavey DynaBass tuned BEAD and do a dubby low slow thing kinda but also a bit of straight up grinding stoner rock and if I find the right band wouldn't mind doing a 80s Andy Rourke melodic pop bass stuff (with the bass strung traditionally).

This rig is my 'last rig I'll ever need to buy' thing as I'm just selling all my other odd and ends and amalgamating it all into one quality lot of gear to keep me playing for another 20 years or so.
 
I deleted my previous post, since I misread your post as considering the HT210s, not the HS210.

The LMII, IMO, just works wonderfully with the AE line of Berg cabs (although it sounds nice with the HS210 also).

The key to the LMII is to get it running at full power. So, two AE112's with the LMII running at 4 ohms KILLS with the LMII, and will be more open, full, louder and more aggressive in the upper mids than a single HS210. Two HS210's would be fat and punchy and warm with the LMII, so if that's more your thing, you might buy one and keep an eye out for a second.

I again would recommend the Epi PS112's also.... they kind of sit between the AE112 and HS210 in both tone and weight, and are much less expensive than the AE cabs.

IMO!
 
Thanks mate, I've been writing a few threads here and you've taken the time to offer opinions, much appreciated.

You are considering some of my favorite pieces of gear, so that always interests me. The LMII sounds nice with the Epi and Berg stuff, but seems to really excel to my ear with that AE line of Berg cabs. Really nice. I have an AE410, and it sounds great with the LMII! The HS210 sounded OK tone-wise, but didn't really push the air and the low end I needed with the LMII running at 8ohms. Of course, two of them is a different story!
 
I guess this is a continuation of the previously post, but I thought I'd jump in with my experience in a bit more detail. As I mentioned earlier, owning two of the same will get you more of the same in terms of overall sound with more volume.

When I first went to purchase a new rig last summer, the LMII proved to be a given and was my easiest decision. When it came to cabs, I A/B'd both the AE112 and AE210. My intention was to buy one cab and add a second later if and when the need arose since I was just starting out with a new band ans wasn't sure as to my volume needs. Both cabs sounded great, but very different. The AE112 seemed to be more open throughout the tonal range while the AE210 seemed to be more linear and closed sounding. Since I play a five string 99% of the time, I preferred the openness of the AE112 and that's what I went with. Subsequently, I played a few bar gigs (150 people) with the LMII/AE112 setup without any issues. Plenty of volume and headroom. Having a 6lb head with 31lb cab is a breeze to transport.

A couple of months after the original purchase, an HS210 came up for sale locally. If you A/B'd the AE210 and HS210 side by side, you'd probably hear some subtle differences. However, to my ears, they pretty much have the same tonal characteristics. I bought the HS210 at that time because it was being offered at a great price but in hindsight, I should have waited and bought another AE112.

A few weeks ago, someone was interested in trading their AE210 for my HS210. Before making that decision, I went to the store to try an AE210 for it had been a while. As expected, they sounded pretty much the same to me. While I was there, I decided to try some different pairings. First I played through an EX112ER on it's own. Sounded a bit muddy to me. Then I paired it with an AE112 and it sounded pretty good, although I like my 112/210 stack better. Then I stacked two AE112's together and ....WOW....it was just fantastic. Had all the tonal characteristics I like about the AE112 except there's allot more of it. I'm sure 2 HS210's would be amazing if you like that tone.

I still have the HS210 and use it as a standalone when I jam or rehearse at my drummers house. I EQ my LMII differently when playing though it in order to get a little more bottom end and take out a bit of of the lower mids. I did discover something interesting about the HS210 last night at our weekly jazz jam session. I usually sit right beside the cab when I play. During one tune, I decided to stand and walk around a bit while playing. When I got about 15 feet or so in front of the cab, it sounded completely different. Much warmer with a bigger bottom end. A whole new sonic experience for me and quite pleasing. However, I'm still planning to replace my HS210 with another AE112. At 52 years young, this will be my rig for a very long time.

Anyway, that's my story with these two cabs. I hope it helps in your decision.
 
Thanks for the input.

I've been looking around at pics of them here and measured up to get an idea of the size, and Wow!, 2xAE112 with a LMII on top will be a real small setup.. I'm trying to get my head around the fact that something that small and light will have the grunt to really rock! I'm sure I'll get the full 500W coming out and shaking the drummers butt cheeks off from what all that's been said here :)
 
Thanks for the input.

I've been looking around at pics of them here and measured up to get an idea of the size, and Wow!, 2xAE112 with a LMII on top will be a real small setup.. I'm trying to get my head around the fact that something that small and light will have the grunt to really rock! I'm sure I'll get the full 500W coming out and shaking the drummers butt cheeks off from what all that's been said here :)

Nice stuff. Just to be clear, a 2 x 112 stack, in general, will put out about 80% of the volume of a 410 or 2 x 210 stack. I find 2 x 112 enough for virtually any gig I do, but my 410's put out more absolute volume and low end.

The nice high SPL of the AE112's, and the power of the LMII should provide plenty of volume, but again, it's hard for one player to know how loud is 'loud enough' for another player. A lot depends on the tone you are after (i.e., a more 'piano like' deep bass and upper treble uber clean tone can require a stupid amount of watts and huge cabs to get up to loud volume, whereas a more mid punchy tone can scream through the mix with a suprisingly small rig).

Just FYI!
 
I was thinking about the rig I used at my last jam, borrowed off the drummer, an old Hartke 200w bass head and no-name 200w 2x15 cab. It didn't cut through or sound particularly good or anything, but it just coped with volume. I would think that LMII/2xAE112 will murder that setup.

I play in a blues/classic rock band with two guitar players, drummer, and singer. In a small bar playing to about 150 people, I use my LMII/AE112 only and my volume is usually around 11 o'clock. I've played the same venue a couple of times with both my cabs just for sport and I can easily overpower the room.