Recent content by Bainbridge

  1. B

    SX Ursa 6-string Jazz bass

    Don't know if y'all seen this yet: Link Removed
  2. B

    Non-diatonic progressions in non-jazz music

    Yeah, dude. That's a diatonic progression.
  3. B

    Why do Americans say eighth notes and quarter notes etc instead of quavers and crotchets?

    Oh yeah. Some of my Baroque keyboard music has that, and oddly enough one of my Beatles songbooks as well. Is that something that's still in practice? Speaking of archaic musical symbols, I've always liked this one:
  4. B

    Why do Americans say eighth notes and quarter notes etc instead of quavers and crotchets?

    Link, please? You've piqued my interest. We're talking modern notation, right?
  5. B

    Why do Americans say eighth notes and quarter notes etc instead of quavers and crotchets?

    No problem. I was reading through your response and thinking, "Wait a minute, this sounds familiar..." Undoubtedly, the US has made great contributions to music on a global scale. The same goes for Hungary and Cuba, if you want to talk about underdogs. Nevertheless, I for one am glad that the...
  6. B

    Why do Americans say eighth notes and quarter notes etc instead of quavers and crotchets?

    There is the matter of timing, though. Italy, Germany, France and England all experienced the Renaissance. Moreover, those countries dominated the Renaissance. One could say that all of the other European nations were culturally overshadowed by those nations. It was during the period from about...
  7. B

    Why do Americans say eighth notes and quarter notes etc instead of quavers and crotchets?

    Lunga - Long. A long note. Breve - Brief. A short note. Semibreve - Half of a short note. Minim - From Latin "minimus," shortest note possible, I guess. Crotchet - Looks like a hook (crotchet). Quaver - Because it sounds like the voice/instrument is "quavering." Semiquaver - Half of the same...
  8. B

    Do you guys ever get writer's block?

    In John Braheny's "The Craft and Business of Songwriting," the author offers "medium" and "tedium" as a rhyme. I suppose there is no accounting for taste.
  9. B

    Do you guys ever get writer's block?

    Yep, keep writing. As a composer and teacher, I look for strategies to write under any circumstances. There are some things that will always work. It's so easy to put down 16 measures of a generic drumbeat, write down a handful of chords that make sense, then flesh out the rest of the music. If...
  10. B

    Half time feel

    Well, the tempo is marked quarter = 126. If the person writing it wanted something different, they'd write something different.
  11. B

    Charts V. Sheet Music

    As others have said, "chart" is jazz vernacular for sheet music. Typically, a chart will have the chord changes notated above the staff for purposes of improvisation. When I write charts for rhythm section, I typically do chord symbols and slash notation, plus standard notation when I want...
  12. B

    How to lock in with a drummer is such a subjective thing. Advice welcome

    [Invalid or Expired Link Removed] You're welcome. +1. Musicians like to believe in magic and will cease at nothing to complicate that which is inherently straightforward. So... what is "locking in with the kick," then? In any ensemble, everybody contributes to the rhythm. Most of the time...
  13. B

    Transcribing

    Audiation, imagining sound, is an important skill to develop. Transcribing a solo by ear alone is a time-consuming effort, and you certainly need to have a lot of know-how to do it effectively, but you don't have to start with transcribing Dexter Gordon and Bird. Take some tunes that you know by...