Recent content by jasonmitsch

3 octave down effects, HX Stomp as 2 octave/harmony effects... No Drive? No modulation? It's a bold board and perfect for Janek. I always love his videos and breakdowns, learning how he does things helps me learn what I do and don't want to do.

I basically use it as a PitchFactor. Quadravox is my favorite. Build a 4 voice major chord, assign expression to move from 8 to 7 So heel down is a 7th chord and toe down is a major chord. Harmodulator is cool to the get pitch bends controlled by your dynamics. Ringmod to go BBRRRRZRRXRxzzz...

Check out this FB Group: Dr. Tone's Helix Bass Lab He has charts of amp settings that are close to flat. These make a great starting point and you can tweek them to taste. There is a wealth of other HX info as well.

Gone: SA Reflex Expression, Meris Ottobit Times are tough so a lot of things are going to end up on the chopping block. Sad to see the Reflex and Ottobit go but it wasn't on a board and yielded the most immediate cash.

I went through the same thing. In 2020 I bought an HX Stomp and an HX Effects and those were it for years. I started playing solo acoustic shows in 2024 and picked up a BeatBuddy and a Boss looper. Other than that the HX line and my existing pedals cover everything I could .

I was using this as my bass/keys/acoustic rig for 4 years. I finally stripped it down and just use the HX Stomp and stereo DI for running keys left and bass right. I migrated most of the pedals over to a smaller acoustic board.

2 pages and almost nobody is talking about the actual pedal. Gotta love Talkbass. I was floored whenever Line6 made their copy of it Ashville Pattern. It sounds awesome and if I ever get back into collecting hardware pedals I'd absolutely pick this up over an original Moog because of its...

C4 has it built in. HXFX, HXStomp, or H9 are what I use now. The harmony options of using other intervals like 10ths is cool too. I've never used a Quint Machine, but it looks very cool and POGish.

Ah I stand corrected. I shouldn't have written that from memory. That is the exact post I was referring to, thanks!

One thing I didn't see mentioned is using a digital pitch shifter to add +5th or +12th. I use the +12th if its after an octaver to avoid mud. Putting it before dirt sounds dirtier, between dirt and filter sounds synthier. After filter makes it sound like 2 separate filter sweeps from 2 synths...

HX Stomp can pull of effects like this. I've used Trem or Pattern Trem, set to a momentary switch and expression pedal set to change the speed. Throw in some Asheville Pattern, Particle Verb, or Tesselator. I never got along with the Glitch delay, but Glitch Looper is fun.

Here: Shure Sm57 and Sm58

I get what you're saying, the H9 octave is pretty massive sounding though. I use my H9 basically as a pitchfactor, the Learn function of the aux pedal to change the key of the harmonizer is the primary reason I keep it. If I got rid of the H9 and only used the HX I'd have to make 12 different...

I have an HX Stomp, HX Effects, and H9 and use all 3 on my board. Based on your situation, I'd go with the HX Stomp. I prefer the interface and it is still receiving regular updates. One piece of advice for any multi-effect you choose is to add an expression pedal to really unlock...

I use this approach with my SA C4. I took one of the many OC2 settings you find on the neuro cloud and beefed it up. I add a -1oct Sine and a +5th Monophonic voice. I use the filter and volume on the 5th to make it sound like a harmonic and part of the other voices rather than independent...