So I'm having some trouble here. Consider the following:
On the left is the scarf joint that I see most often, where the headstock is cut off at an agle (in this case 13 degrees), then the headstock piece is inverted and glued back to the cut area of the neck.
The middle shows a less common way I've seen it done, where the headstock is cut off at an angle, then the headstock pieces is inverted and glued to the back of the neck.
The right option is one-piece option.
The question is: Is there any reason I would choose one scarf joint technique over the other?
It seems to me that the first option should logically be the most sturdy, as the headstock piece would be pulling against not only the neck, but the fingerboard as well. The second option looks like it'd be a lot easier to build, whereas the one-piece option is a nightmare of carving for a total amateur like me.
The scarf join, honestly, is the most intimidating cut of my entire project..because if i **** it up, the whole neck blank is more-or-less toast.
On the left is the scarf joint that I see most often, where the headstock is cut off at an agle (in this case 13 degrees), then the headstock piece is inverted and glued back to the cut area of the neck.
The middle shows a less common way I've seen it done, where the headstock is cut off at an angle, then the headstock pieces is inverted and glued to the back of the neck.
The right option is one-piece option.
The question is: Is there any reason I would choose one scarf joint technique over the other?
It seems to me that the first option should logically be the most sturdy, as the headstock piece would be pulling against not only the neck, but the fingerboard as well. The second option looks like it'd be a lot easier to build, whereas the one-piece option is a nightmare of carving for a total amateur like me.
The scarf join, honestly, is the most intimidating cut of my entire project..because if i **** it up, the whole neck blank is more-or-less toast.