I've heard before that the type of fretboard you get can alter what your bass sounds like. To what extent is that true? If so, what are the tonal differences between having a rosewood fretboard as opposed to having a maple one?
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I've heard before that the type of fretboard you get can alter what your bass sounds like. To what extent is that true? If so, what are the tonal differences between having a rosewood fretboard as opposed to having a maple one?
All things being equal, most guys would argue that a maple board lends a brighter, snappier sound to your bass, while a rosewood board is warmer and a bit more mellow.
Of course, there are a LARGE number of associated variables that must be taken into consideration here - strings, setup, other woods used in construction, electronics, and of course, the player.
Lonnybass
All things being equal, most guys would argue that a maple board lends a brighter, snappier sound to your bass, while a rosewood board is warmer and a bit more mellow.
Of course, there are a LARGE number of associated variables that must be taken into consideration here - strings, setup, other woods used in construction, electronics, and of course, the player.
Lonnybass

That's what most believe, and I guess I probably do as well.
However there are lots and lots of people who will argue that it's all in your mind and that there's no difference to the sound either way.
Their argument is that the fretboard isn't part of the string sound - when pressed the string goes from fret to bridge. Since the string isn't touching the fingerboard between the fret and the bridge - there is no effect on the string when vibrating.
Is it true - I don't know. But I like brighter sounding instruments so (right or wrong) I go for Maple necks when choosing a fretted bass. My fretless on the other hand is rosewood all the way (obviously the above argument doesn't apply at all to fretless basses).
If you had perfect memory so that you could swap out necks on the same bass with the same strings, I would think that the difference is hadrly noticable.
Not a fair question when different basses are compared.
The difference is subtle, but distinct.
I've had the chance to a/b instruments that were identical aside from their fingerboards a couple of times and this is what I found.
Rosewood: Warmer, rounder, more wide and open sound
Maple: Brighter, clearer, and more focused
I've found an affinity for fingerboards in the rosewood family, but I could certainly see the advantage of maple when clarity and the ability to cut through in the mix are the main goals.
Observe: Reggae bassist Ashton "Family Man" Barret plays a Fender Jazz Bass with a rosewood 'board. Rush bassist Geddy Lee plays a Fender Jazz Bass with maple. Different amps, etc.? Yes, of course.... but the fingerboards are no accident.
Were the finishes the same?
I can't imagine that's true. The string will vibrate the fret, the fret will vibrate the board, and the board will feed back into the fret.Their argument is that the fretboard isn't part of the string sound - when pressed the string goes from fret to bridge. Since the string isn't touching the fingerboard between the fret and the bridge - there is no effect on the string when vibrating.
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