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Sadowsky PUs

Hi!

Originally sent this as an email, but I thought this forum would be a good place for it, too.

my email said:
I've heard that you have switched to a new pickup design. The earlier version was a custom variant of the DiMarzio Ultra Jazz Designs. The newer PUs supposedly is based on the DiMarzio Area J design. Is that true?

If I'm correct and you've changed designs, is there any way I or the shop can tell which PUs are currently in the bass?

Thanks,
-Christoph
 
My humcancelling J pickups (4 and 5) have almost always been made by DiMarzio. Steve Blucher is an excellent pickup designer and we go back 30 years together. The design has always dynamically improved as both Steve and I have worked toward my goal of getting as close to a single coil sound as possible. There have always been differences between the Ultra Jazz and the Sadowsky version.

If you can see visible bar magnets on the bottom of the pickup, you might want to consider upgrading next year. The previous design has a semi clear epoxy on the bottom and you can see the copper shielding of the pole pieces. The newest design has a metal plate on the bottom of the pickup with black foam in the middle. We are still in transition to the newest version.

I would probably change the volume pot from 250K to 500K, before I replaced the pickups.

Roger
 
The Modern pickups are custom made for me by Kevin Beller at Seymour Duncan. I have auditioned many other pickups for this model, including soaps that can switch from series-parallel-single coil, and nothing I have tried can come close to this pickup. Full frequency spectrum, good highs, yet it has warmth and punch. Kevin Beller hit a home run with this one. Kevin also makes our single coil 4 and 5 string J-bass pickups.

R
 
As long as we're on the subject, if I changed the HC's to singles in my MV5, would I use the 250k volume pot that came with it, or use the 500k pot that is in their now?

I would start with the 500K. I would only switch to the 250K if you felt the passive tone was too bright.

Roger
 
hey roger,
you posted a while back that your 4 string singles were basically antiquity 2's without the aging. i was wondering where that comparison came from. ive owned an embarrassingly large amount of sets of antiquity 2's over the years and the one thing ive been frustrated with is that no two sets are wound the same (other than them all being wound with plain enamel). they range anywhere from barely 8k to 8.9k. all the sets have sounded different. id imagine that youre getting them wound to the same spec every time for consistency.