PilbaraBass said:
best thing is to solder a new wire to your tone pot, and then attach THAT wire to the foil.
Hmmm... I don't want to start a fight, but I would completely disagree with that; I would keep all grounds that are for the purpose of RFI/EMI control seperated as much as possible from the pots.
The problem: Shielding that picks up high levels of RFI/EMI can also saturate the pot chassis with RFI/EMI, thus putting it in close proxinity to the electrics as it passes to the ground.
Of course, I did most of my wiring in radio stations, where we had a lot of RFI/EMI, so what we did might be over-kill for a guitar... unless it's being played near a 5,000 watt AM transmitter, at which point the foil won't cut it.
Anyhow... this is what I do:
1) Bridge ground to shielding to "ground" terminal on output jack, via a seperate (dedicated) wire... usually white insulation, so it stands out when I'm working.
2) Pot chassis to "ground" terminal on output jack, via the shielding on a shielded cable.
NOTE: If you do this, do not allow the pot chassis to touch the shielding; it will cause a ground loop. If there's a diference in resistance, it will produce a light hum.
3) The "ground" wire for the caps and pots (
not the chassis) to the "ground" terminal on the output jack via one of the wires that's inside the shielded cable.
Yes, all grounds connect to the same spot. But the RFI/EMI from the shielding does not pass by/through the chassis of any of the pots, and the RFI/EMI from the chassis does not pass through the "ground" for the audio... at least not until you're past all of the susceptable devices.
Resistance at a point of connection (caused by oxidized connectors, dirty contacts, bad solder, etc.) is highly susceptable to RFI/EMI... like a noise-magnet. Surrounding a device that has resistance at connections with RFI/EMI guarantees trouble. So I do what I can to keep RFI/EMI as far from connections and contacts (like pots) as possible.
Add the usual disclaimers... my opinion, results may vary, etc.
D~s