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violatedppl said:could someone with the amp post pics of it, becaus snobass has a good point the layout of the amp does have a big affect IMO on how easy it is to operate.
dgce said:Sounds great. I also dig the simplicity of the B500/1500 front panel layout. Still, I wonder about the Carvin Redline with its extended tonal shaping abilities and that their 1000 and 600 amps are also biamp-able (the B series amps are not as far as I know).
How do you guys think the new B series compares to the old Redline series?
r
Richard Lindsey said:I had an R600 for a while, and I now own a B1500. I liked the R600 a bit more than some here do, but I think the B1500 is significantly better. I would say, don't get too fixated on all the knobs. The B1500's EQ is more powerful than you would think, though admittedly not as extensive as the RedLines, and you can always just add a modestly priced EQ if you want more tone shaping. I never use a compressor, so the built-in comp on the RL was of no interest to me. However, I've heard several folks who do use comps say that the RL's isn't that great--FWIW. I'm pretty "eh" about the noise gate, too. The B1500 doesn't seem that noisy to begin with, my basses are quiet enough, and I don't use any gain devices before the input. I sure wouldn't let the built-in gate be a deciding factor, but YMMV. As for biamping, for my tastes, I don't think biamping is particularly important for most bass gigging situations. When I had the RL, I preferred to use it full range anyway.
To me, the B1500 is just a better amp all around--better built, better power, better tone. The presence of more knobs on the RL doesn't change that. Biamp capability aside, there's nothing extra on the RL that you couldn't get in a better form in outboard gear if you need it.
santacruzom said:I'm tempted to go with the BRX series -- in particular, the BRX212 combo amp. But I only want to do this if it's a significant upgrade over my RL600. Now that I'm in a band with potential I don't want to settle for an amp that's just okay, but I also would rather not break the bank if I can help it.
Blues Cat said:I played a large venue @ a time that I didn't have a rig. I was fixing to have to go direct & play thru blown monitors (thanks to the rappers the weekend before) when the bassplayer for the band coming on after us said if you let me put my redline +RL 410 up on stage now, I'll let you play thru it. I thought yea, this is going to be cool.
I was really dissapointed in everything about the amp. I tweaked & pushed little white buttons for an hour during our set & couldn't get it to sound good.
The B1500 is a completely different amp. The BRX cabs are way better than the RL, more lowend & more detail. That's been my experience w/ Carvin amps.
SnoBassMan said:I would be happy if carvin would just give us more pics of their equiptment.
I'd like to see how the back of that amp is setup.
And then not use the same description for multiple products.
You're a million dollar company....take 5 minutes and write separate paragraphs for different products.....
I still want one.....
santacruzom said:I also own a Red Line 600 amp that I've had for nearly 9 years, and I basically agree with everything you've written. It's an okay amp -- I never hated it, but I also never loved it. It was finicky. Sometimes, getting a good tone out of it was just not in the cards. I rarely used its compressor, its tube blend never really offered much, and the noise gate knob may have been touched twice in the 9 years I've had it. I played with amps with a much lower power rating that sounded much better at equal or even higher volumes. It also recently broke (doesn't turn on), which is why I'm now thinking about a replacement.
I'm tempted to go with the BRX series -- in particular, the BRX212 combo amp. But I only want to do this if it's a significant upgrade over my RL600. Now that I'm in a band with potential I don't want to settle for an amp that's just okay, but I also would rather not break the bank if I can help it.