Double Bass Starting a life in Music

Going into a conservatory, there is much more to me than just getting a job when I get out. Music is my life and it has had such a huge impact on my life and experiences.

When I am in the conservatory, studying music is something that I feel I can learn more from than studying books. Music is a very emotional thing. To play music is to portry an emotion to an audience and hope that they feel the same way. To learn how to connect with something emotionally and put every bit of energy I possess into it and then try to portray that to others is in my mind the greatest education one can receive.

After undergraduate and maybe even graduate education there is more that I am looking for then a job with a major symphony orchestra. Of course I have dreamed since I can remember about getting a job in the NY Phil or the Met Opera (growing up in NYC), but I would like to take music and give it to teenagers.

I have been so fortunate to attend the pre-college program at Juilliard and attend a school with a great music program, but there are so many kids who don't have that. Many students coming into my highschool are now beginning players and it is a shame that they cannot be exposed to music.

I attend many symphony and opera concerts and constantly find myself being one of the youngest persons there. To me, attending a conservatory is much more than just getting a job right after college. It is a passion, and a fire inside of me which I wish to be able to share with everybody I come in contact with.

I will work to get a symphony orchestra job when I leave college, as it is my dream, but I hope this has supplied the answer to your question with my insight into music and the conservatory atmosphere.

You have to want to play bad enough that you find a way to feed yourself with it. This includes everything, up to and including a day job. You also have to have realistic expections for your lifestyle. Music isn't a job, but a way of life. If you want a job you need to check out engineering or nursing or something.

I'm at Idyllwild Arts Academy, so I'm essentially already in a conservatory setting, in a sense. I've got a steady chamber group, orchestra rehearsals a couple times a week, Theory classes a couple of times a week, jazz classes daily, I usually get in about 5-8 hours of playing time a day. I honestly don't care what happens to me after college. I wan't to be involved in music because for as long as I can remember, music has been my life, music has been my soul. It's an incredible esperiance when your playing in an exceptional orchestra, or when your jazz combo is really getting hot.

I would love to get a job, but more importantly I want to learn. I would love to play in a premire orchestra, but more importantly I want to play.

That's what I expect out of music school.

G-force said:

I was recently informed that only 12% of ALL graduates from music schools actually make their livings from what they studied, music.


G

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12% ???!!??

It's more like 5%.

And that figure is from the golden era "when only 50 basists would show up for an audition."


As dismal as that may sound, consider this.....
Only 25% of ALL college graduates actually work in the field that they trained in. And that figure is also from the same golden era "when college graduates had job security."

ILIA said:

12% ???!!??

It's more like 5%.

And that figure is from the golden era "when only 50 basists would show up for an audition."


As dismal as that may sound, consider this.....
Only 25% of ALL college graduates actually work in the field that they trained in. And that figure is also from the same golden era "when college graduates had job security."

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My friends, you have struck upon such a poignant subject!!! One that no teachers want their incomong studentias to be aware of... schoools are like corporations and those talented students are job secrutiy for the teacher. All the other so-so students are mearely paying the bills or filling in those other spots that need bodies like in the school orch. Or I suppose to give them something to polish their egos... some get off on that sort of thing.

Yes, I read those stats, too. That's why it's REAL f#@king lame when an audition is rigged bc it ALWAYS screws some deserving, innocent, wonderful bassist froma job and makes them believe they suck. Very unfair. Some loser gets fat anf arrogant sitting in a chair that he didn't deserve whilst one of his talented friends is scraping the crumbs from Kinkos copiers or dumpster diving to live. Funny thing too is that the unfairly won jobber will most likely be disliked sooner or later by the colleagues bc no section unanimously wants to rig anything. There is always at least one who is totally against it and usually many more! Think too, if the rigger gets retired/fired than the riggee is left all alone to fend for themselves, which of course, they are unable to do othrwise they would have done so at the audition.

ALl you entrerers, behold the truth of your chosen career. These people like G-force and ILIA are speaking a serious truth!!!

There's one that we needn't worry about.

Peter Ferretti said:

I'm at Idyllwild Arts Academy, so I'm essentially already in a conservatory setting, in a sense. I've got a steady chamber group, orchestra rehearsals a couple times a week, Theory classes a couple of times a week, jazz classes daily, I usually get in about 5-8 hours of playing time a day. I honestly don't care what happens to me after college. I wan't to be involved in music because for as long as I can remember, music has been my life, music has been my soul. It's an incredible esperiance when your playing in an exceptional orchestra, or when your jazz combo is really getting hot.

I would love to get a job, but more importantly I want to learn. I would love to play in a premire orchestra, but more importantly I want to play.

That's what I expect out of music school.

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Peter,

Please say "Hi" to Marshall from Allan Santos. He was my first teacher.

Allan

G-force said:

Oh an Ray Parker, I know many many musicians who I dare say don't come close to loving their jobs as much as some engineers or nurses.

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That has nothing to do with my comment, though.

The only thing that you're guaranteed in life is that you'll get up tomorrow -- and you eventually get screwed on that deal, too. Don't expect a cush-slot in life just because you went to some school and bought a piece of paper. It doesn't work that way.

Chris Fitzgerald said:

I can't help but wonder how much poorer my life would be if I had put feeding my belly ahead of feeding my soul on my priorities list. . . How many people don't have outlets like that at all? . . . Sure the life is hard - but to me, chasing a dream in your spare time beats the hell out of not having one in the first place.

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* Applause * like the man said.

I dropped out of music school because I had an unpleasant vision of myself playing in a wedding band and living in a closet in a big city.

Several years later I returned to college, supporting myself by playing weddings.

Several years later I went to law school, living for several years in America's 5th-largest city.

Tell me again why I dropped out of music school?

Ray Parker said:

day job

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Please, Ray....watch your language. You're scarin' me.

G-Force:

Engineering and nursing, my examples, are practical vocations. Everyone needs these people. Chances are far greater, and I would say almost certain with perserverence, that you will find steady work in these fields. Nobody needs a musician, figuring per capita.

Any sort of living that you make in the playing of music in the music business is an extreme study in bootstrapping. You'll almost certainly have to create a need for your service and then sell it. The only alternative is to move to a large center of population, like NYC, but then you have the problem of a glut of supply and you then have to really shine to create a need for your playing -- and not just shine playing, but in hustling, salesmanship, showmanship, etc.

Further, of all of the best players that you hear or know about, an EXTREMELY small segment make a living by playing alone. Most teach, either privately or through a school.

Sam Sherry said:

Tell me again why I dropped out of music school?

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I don't know but I'm trying to figure out a way to go back.

ILIA said:

12% ???!!??

It's more like 5%...


As dismal as that may sound, consider this.....
Only 25% of ALL college graduates actually work in the field that they trained in...

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Yes, but did you also know that 47% of all statistics are simply made up?

G-force said:

Thanks ray for clearing me up on that. I really misunderstood you. Good points though . But I still disagree with you. There is a need for musicians otherwise my cellphone would sound like everybody elses...

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I guess it depends on one's definition of "musician".

This thread is a good reality check for the most part however, one does what one is meant to do in life. If one is meant to be a musician than one shall be. Often it isn't even about the destination but abut the journey.

I have recently left a 14 year career in the computer industry. I have walked away from a good paying (though stressful) gig to start learning double bass and go to school for Jazz Studies/performance. I have *NO* idea where I'll be in 3 months let alone in several years but I do know this is something I *have* to do. Who knows where it will lead me? And, yet, this is half the fun!

I think the most important things anyone can do is follow their heart and keep an open mind. One's path will become clear if both things are followed.