Hello all,
I have been working on this "project" on and off for a while and it is almost done, thought I would share. Here is some background:
Over the past 30 years, I have owned a lot of basses, including many Fender Ps. Among them was a '62 White/Rosewood, a mid '70s Natural Ash/Rosewood/Fretless, a mid '70s Natural Ash/Maple, and a '72 Sunburst/Rosewood, among others. The '72 is now in Chicago being used by my nephews (they'e playing the same music I did back in the '70s!!).
Over the past couple of years, I have been in quite a few different music stores playing what they had in stock and came to the conclusion that the MIM Fenders were all over the scale in the way of QC. However, if you play enough of them, you can come across some very nice ones.
What I have been able to do is to put together 3 great basses that give me everything I am looking for in a Fender P and then some. With a little wheeling and dealing, I also did it for about $950.00, around the price of a good American P. See link below:
http://home.comcast.net/~marwady/ws...173185-Publish-t-makestatic-true-skip-10.html
Here is what I ended up with:
A few notes:
I love the sound of a fretless P, it has a monster tone but, it lacks that Jaco growl. I find that the SD Jazz bridge pup and blend pot give me the growl and a lot of other options (without noise!!).
The GC Special Ed. had a beautiful, ringing tone unplugged, but the pup was awful. A used, stock American pup was all that was needed, great classic '70s P tone. The maple neck gives it that last bit of bark I love. Incidently, the CA red P/J had a killer P pup, so go figure.
The white P was assembled from parts I had left over after I sold off what I did not need. I needed a body so I took a chance on a nice MIM Alder body on the 'bay and it turned out to be a good one. I added the RI pup and that was it. It is currently strung with GHS Brite Flats and they are almost but not quite right. I have a set of Labella and Fender flats on the way, should do the trick.
No, these are not "collectable" basses but, I would put these up against any American versions for tone and playability. As I said before, I have had a lot of P Basses and these compare nicely.
By the way, that '72 in Chicago has nothing on these MIMs, for those of you who thought I was nuts to let my nephews use it. Plus, I love to hear them tell their buddies about the cool bass they got from their uncle!
I have been working on this "project" on and off for a while and it is almost done, thought I would share. Here is some background:
Over the past 30 years, I have owned a lot of basses, including many Fender Ps. Among them was a '62 White/Rosewood, a mid '70s Natural Ash/Rosewood/Fretless, a mid '70s Natural Ash/Maple, and a '72 Sunburst/Rosewood, among others. The '72 is now in Chicago being used by my nephews (they'e playing the same music I did back in the '70s!!).
Over the past couple of years, I have been in quite a few different music stores playing what they had in stock and came to the conclusion that the MIM Fenders were all over the scale in the way of QC. However, if you play enough of them, you can come across some very nice ones.
What I have been able to do is to put together 3 great basses that give me everything I am looking for in a Fender P and then some. With a little wheeling and dealing, I also did it for about $950.00, around the price of a good American P. See link below:
http://home.comcast.net/~marwady/ws...173185-Publish-t-makestatic-true-skip-10.html
Here is what I ended up with:
- A 2003 MIM Precision Special P/J (CA Red/Alder) on which I swapped necks to a MIM Fretless Jazz, swapped the stock J pup to a SD STK-J1 (dead quiet), and a blend pot.
- A 2002 MIM Precision (Natural/Ash, a GC Special Edition, I believe) which I swapped the P Special Maple FB neck to for just that little extra bite. I also added a Gotoh bridge and a stock American P pup.
- A 2003 MIM Precision (Arctic White/Alder) which I swapped the neck to the GC Special Ed.'s Rosewood FB. I replaced the stock pup with a Fender Original P Bass re-issue pup. This has flats and has a that Motown/Jamerson thump.
A few notes:
I love the sound of a fretless P, it has a monster tone but, it lacks that Jaco growl. I find that the SD Jazz bridge pup and blend pot give me the growl and a lot of other options (without noise!!).
The GC Special Ed. had a beautiful, ringing tone unplugged, but the pup was awful. A used, stock American pup was all that was needed, great classic '70s P tone. The maple neck gives it that last bit of bark I love. Incidently, the CA red P/J had a killer P pup, so go figure.
The white P was assembled from parts I had left over after I sold off what I did not need. I needed a body so I took a chance on a nice MIM Alder body on the 'bay and it turned out to be a good one. I added the RI pup and that was it. It is currently strung with GHS Brite Flats and they are almost but not quite right. I have a set of Labella and Fender flats on the way, should do the trick.
No, these are not "collectable" basses but, I would put these up against any American versions for tone and playability. As I said before, I have had a lot of P Basses and these compare nicely.
By the way, that '72 in Chicago has nothing on these MIMs, for those of you who thought I was nuts to let my nephews use it. Plus, I love to hear them tell their buddies about the cool bass they got from their uncle!
