Dr. Cheese and IotaNet said:The MTD Z Bass is like a fine woman who can't cook -- you love looking at her and touching her but you KNOW you can't marry her!
Well, I have to say -- in her upgraded state, this fine woman can BURN!
The biggest problem with the Z bass to many people is the extreme midrange-focus and lack of low end. That's primarily due to the offshore electronics -- they just weren't happening. I thought if I could do something about that, then perhaps the bass might come to life. I've added a set of Bartolini P25CBC's and an Aguilar OBP-3 (with mid selector switch) and WHAM -- the bass works!!!
Make no mistake -- this is NOT a J bass -- never will be. This bass is all about Modern, midrangey tones. But with the upgraded electronics, there is now a goodly amount of low-end to be had to balance things out. This is also NOT a USA MTD -- that bass has a far wider frequency response. On the other hand, it has a great deal of the USA's feel & playability. It's not the pinnacle of MTD-ness but at 25% of the price, it's not supposed to be. (That said, a Hipshot B bridge and some USA knobs would definitely complete the look!)
For those who want to know, I got the bass for $1000 and the electronics upgrades were another $400. Kudos to Brian at Bestbassgear.com for his recommendations and his support. For $1400 there is a tremendous amount of goodness here and right now, I feel like it's worth every penny.
I bought this bass SPECIFICALLY to play in church. You know the deal -- big choir, full rhythm section, Hammond B3 w/Leslie. In that environment, you need the low-end but you MUST have clarity in the mids or else you'll get lost in the sonic mix. I expect that this bass will fit the bill perfectly but I'll make sure to provide a report after rehearsal this weekend.
I'm glad I gave this bass a second chance -- I love the way she looks and now, I love the way she cooks!
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