I love the music and I want to do something completely different from my roots rock/rockabilly band. I've got the people off craigslist so it will be an interesting event upon our first meeting. I already know the drummer and he's a good guy and competent drummer. Hope he can play like Densmore though. Obviously the most difficult matter will be to find a Jim Morrision. I have seen some trib bands online that have had some pretty good Jims and some which were pretty bad. I've got two guys lined up.
And before some say that "Hey Man, the Doors didn't have a bass player!" I do acknowledge this. However, at times they did use one in the studio, Jeff Scheff, I believe his name was. I think they also used one from time to time on stage. Riders on The Storm, the current Doors band with Ray and Robbie also have a bass player. Obviously I am biased towards having a bass player in the band so its pretty much a moot point.
So basically I have two questions:
1. what is more important - that he look like Jim or sound like Jim? I'm thinking voice match is more important.
2. Name suggestions? I have come up with The Doors of Deconstruction which is sort of a play on The Doors of Perception (the book from which the original name came from).
And before some say that "Hey Man, the Doors didn't have a bass player!" I do acknowledge this. However, at times they did use one in the studio, Jeff Scheff, I believe his name was. I think they also used one from time to time on stage. Riders on The Storm, the current Doors band with Ray and Robbie also have a bass player. Obviously I am biased towards having a bass player in the band so its pretty much a moot point.
So basically I have two questions:
1. what is more important - that he look like Jim or sound like Jim? I'm thinking voice match is more important.
2. Name suggestions? I have come up with The Doors of Deconstruction which is sort of a play on The Doors of Perception (the book from which the original name came from).
de·con·struc·tion - A philosophical movement and theory of literary criticism that questions traditional assumptions about certainty, identity, and truth; asserts that words can only refer to other words; and attempts to demonstrate how statements about any text subvert their own meanings.
